Musical Discoveries and a Family of Artists between Jerusalem and Berlin

An Interview with Elena Bashkirova

From 7 to 11 May, we will host a chamber music festival in the museum’s Glass Courtyard. Katharina Schmidt-Narischkin and Sylvia Winkler of our press office spoke in advance with the festival’s director Elena Bashkirova.

Press office JMB: As festival director, what themes have you chosen to emphasize this year?

A laughing woman sitting at a piano

Elena Bashkirova, festival director and pianist
© Monika Rittershaus

Elena Bashkirova: Our themes have been determined this year by two anniversaries: on the one hand, the start of the First World War 100 years ago and its impact on music; on the other hand, the 150th birthday of Richard Strauss. Both anniversaries augur a varied program for “intonations”: 1914 saw an astonishing richness of musical styles, which our concerts will reflect. And Strauss composed chamber music nearly his entire life, so I have a wide range of pieces and genres to choose from.

Every year at “intonations,” chamber music classics can be heard together with unknown works. What composers should visitors expect to discover in this third season?

portrait David Coleman

David Robert Coleman, composer and conductor © private

Rudi Stephan was an extraordinary discovery for me. I heard Music for Orchestra and Violin a few years ago here in Berlin. I was impressed and deeply touched by it. As I was putting together the programs for “intonations,” I found his gorgeous chamber music and was delighted to have the chance to present it here with my colleagues. Rudi Stephan died in the war when he was 28. Given his talent, he would otherwise have certainly provided us with more outstanding music.

There will also be another world premiere: the fourth concert, on Saturday 10 May, will open with David Coleman’s “Three pieces for clarinet and piano.” Another significant composer this year will be Karol Szymanowski. He has his own tonal language, writing hauntingly beautiful music that unfortunately is played much too seldom.  continue reading