in Conversation with Emile Schrijver, Curator of the Braginsky Collection
What made you decide to be curator of a manuscript collection?
When I studied Hebrew in Amsterdam, a lecturer took us to see the University of Leiden’s collection of medieval manuscripts. In the impressive vaults, I saw ancient manuscripts for the first time: the only manuscript of the Jerusalem Talmud (Yerushalmi), for instance, and one of the earliest Rashi manuscripts. Seeing these ancient sources, and gaining first-hand experience of living history, was overwhelming. Historical books had a strong effect on me. I subsequently studied at the Bibliotheca Rosenthaliana, the Jewish library at the University of Amsterdam, where I later began to work. A few years ago, Mr. Braginsky was looking for a curator for his first exhibition in Europe. Mutual acquaintances from the international circle of manuscript specialists put us in touch with one another. We got along well and were soon able to establish a good, trusting working relationship
What do you do as a curator of the Braginsky Collection?
I take care of the collection. I am responsible for Mr. Braginsky’s new acquisitions and for his existing objects. Most new acquisitions are delivered with a short description. Others we describe and photograph, before adding them to our inventory. I carefully examine the books’ condition and, if necessary, commission their restoration. I’m also responsible for monitoring the climate in the storerooms. Inquiries concerning exhibitions and reproductions are a lot of work for us. The process of digitizing our stock is ongoing. Occasionally, scholars wish to view specific works at length. We also organize presentations on our own premises, on behalf of the European Association of Jewish Museums, for example. Public relations for events such as the Jewish Book Week in London in 2013 likewise require a great deal of preparation.
What makes the Braginsky Collection so special? → continue reading