More and more young Israelis are moving to Berlin, bustling between Berghain and meshuggah parties, Neukölln and Prenzlauer Berg. The media can’t stop talking about them, but the vogue isn’t only due to the 50-years of diplomatic ties between Germany and Israel. There are in fact not a few young people moving to the German capital with innovative ideas and youthful brio, dabbling in the start-up or art scenes, running cafes, organizing parties.
So what does that life really look like?
Last year I met Noga at a Berlin gallery and we quickly started talking about family, Berlin, and Israel. In September of 2010, Noga and her husband Zeevi moved to Berlin with just two suitcases – not to enjoy the party scene here for awhile, but to stay. I met with both of them to talk about their life in Berlin.
Theresia Ziehe recently invited us to take a closer look at Fred Stein’s photograph “Newspaper Hat.” Now her co-curator Jihan Radjai presents another photograph that the two of them—as well as very many of our facebook fans—are particularly fond of: “Little Italy” (New York, 1943).
“Hello. My name is Fred Stein, I’m a photographer, left-wing, and I would like to take your picture.”
This is how Fred Stein used to strike up a conversation with people he hoped to portray. Between 1933 and 1967 he managed to make more than 1,200 portraits this way. The words show he had not only the courage to approach people, but also a talent for quickly putting those who had caught his eye at ease.
Fred Stein took a passionate interest both in those he portrayed and their work. With André Malraux, Arthur Koestler, Egon Erwin Kisch, and countless other peers he discussed the political landscape in Europe of the 1930 and 40s. Willy Brandt and he became firm friends and remained so all their lives long, and likewise others whose portrait he made. In a letter of 10 May 1983, Brandt recalled:
“I met Fred Stein when we were both refugees and fighting the totalitarian Nazi regime with the rather modest means at our disposal. He was a man ahead of his time, an avant-garde and brilliant photographer, inspired by the commitment to justice and concern for truth so clearly reflected in his photographs. → continue reading