There are people who visit the special exhibition “The Whole Truth” not once or twice but a few dozen times: museum guides, those of us who accompany visitors through the exhibition. This time, though, our job isn’t to introduce the exhibits and their deeper meaning but instead to elicit commentary from this very real and tangible general public – and to moderate any discussion that follows. After all, the questions on which the exhibition is based also came from visitors. The museum reflects them in a great number of objects that the curators sought out.
The exhibits are very various and consistently surprising; they strike a wide range of cadences as well. Most visitors are astounded and speechless at the chutzpah of some curatorial arrangements. But as soon as a group begins to move through the exhibition and to engage with its guide, the speechlessness transforms into eloquence. → continue reading