Rafael Roth, 2003 © Jewish Museum Berlin, photograph: Bildschön
In late 1998, long before the Jewish Museum Berlin opened its doors, the Berlin entrepreneur Rafael Roth offered to support the museum financially. He was committed to W. Michael Blumenthal’s vision of a center dedicated to research on and education in the history of Jewish life in Germany.
Roth was enthusiastic about the idea of a modern media center that would enable visitors to explore Jewish history in an interactive format. His generous donation funded the architecture, the concept and the technical development of this center, located on the subterranean level of the Daniel Libeskind building. When the “Rafael Roth Learning Center“ was inaugurated together with the permanent exhibition on 9 September 2001, it fulfilled its initial purpose, namely to be “the most up-to-date, most impressive and most important center of its kind.” Twelve years later, the media-lounge and study rooms still attract a great number of museum visitors.
Rafael Roth died on 21 September. The Jewish Museum Berlin is highly indebted to him and remembers him in great fondness.
Mirjam Wenzel and Henriette Kolb, Media
May 10th marked the climax of spring 1933’s “Action against the Un-German Spirit” (Aktion wider den undeutschen Geist), an uprising of German students against professors who were political dissidents or Jewish, as well as ‘subversive writing’ (zersetzendes Schrifttum). We all know the images of the carefully prepared book burning in Berlin. Micha Ullmann’s memorial on today’s Bebelplatz responds to the notorious call to flames with a hauntingly quiet and empty library.
The Jewish Museum Berlin is now exhibiting some of the books which were taken off their shelves and thrown onto the pyre. The items on display are from George Warburg’s collection.
Viewing the bindings, the layouts, and the printing of these works is a pleasure in itself. We were all the more touched by George Warburg’s motivation for building his collection: in this video interview, he explains not only which works are his favorites, but he also describes his collection as an attempt, retroactively, to save the books which were burned, banned, and eliminated by National Socialists.
His “memorial to the idiocy of Nazi censorship” returns the volumes to daylight which are remembered in Ullmann’s subterranean library.
Mirjam Wenzel, Media
They betray the hopes, dreams, and projections of fathers and mothers,they follow trends, and foretell the future of their bearers.
For Jews many decisions are connected to the naming of a child: should the name underscore his religious affiliation, only be recognizable to other Jews, or neither? Will it be a name native to the family’s country of origin or to the child’s country of birth? Has the name been translated? Does it memorialize someone? Colleagues and friends of the Jewish Museum Berlin share their thoughts with this blog, on this and other questions.
Miriam dancing © Miriam Lubrich
Miriam / Mirjam
Soon there will be four women working along the hallway that my office is on, who all have the same first name that I have: Mirjam or, in some cases, Miriam. Even while the etymology is not completely unambiguous, the triumphant prophetess with the timbrel is namesake to each of us – that Miriam who roused the women to dance a dance of joy after the Israelites had fled from Egypt and divided the Red Sea (2. Moses 14, 20). With that, the sister of Moses and Aron took her rightful place among scripture’s female figures – women like both of the wives of the first man Adam, Lillith and Eve – who showed their rebellious traits: Miriam asserted the claim that God also spoke through her. She was consequently struck with a skin rash and had to wait for seven days outside of the encampment before she was allowed to live among the congregation of her desert-crossing brethren (4. Moses 12, 1-16).
Is it an accident that this combative woman lent her name to so many employees of the Jewish Museum Berlin? → continue reading