Wire-frame geese and elevator signs

Object lessons on our museum’s history

Young woman wearing blue gloves organizing old tags of staff members of the museum

Trainee Lisa Renner performing inventory; Jewish Museum Berlin, photo: David Studniberg

I still remember my first day of work at the museum well, some months ago. Together with two new colleagues, I rode the elevator one floor down, we passed through two secured doors, and there we were: in the warehouse. There on two iron shelves towered bulging boxes and cartons as well as all kinds of objects — and with them, my job for the next eight months as an academic volunteer at the Jewish Museum Berlin: to set up a little special exhibition on the history of the museum itself.

Somewhat at a loss, I rummaged through a hodgepodge of exhibition papers, invitations, and photographs of people I didn’t know, and asked myself what a wire-frame goose on skateboard wheels or an old elevator sign were doing in a museum.  continue reading


Halftime for (the) GOLEM — What Do Our Visitors Have to Say?

A white room with drawings on the walls and a mirror in the center

View of a room of the exhibition GOLEM; Jewish Museum Berlin, photo: Yves Sucksdorff

Laura (23), Romania, architecture student

What is your impression of the exhibition?

The exhibition is fascinating and creepy at the same time. It makes you believe that the creatures displayed are real. Therefore, the atmosphere is very intense.

Which object or room has impressed you the most?

The room with the mirrors impressed me a lot. First, we were just playing around, which was fun. I could see myself and my friend in the mirror at the same time. But when I think of it now, it could be a metaphor for “looking beyond yourself.”

Do you know a sort of “Golem” from today?

As children, we have toys, dolls, and sometimes imaginary friends. We can talk to them and make them do what we want them to do.

Edgar (49), Germany, computer science

What was your impression of the exhibition?  continue reading


Painting Music

A Visit with David Benforado

David Benforado with a nay flute in front of an oil painting

David Benforado playing a nay flute, in the background one of his recent paintings “Brown-Orange,” 150 x 150 cm, oil on linen, 2015/2016; Jewish Museum Berlin, photo: Leonore Maier

“There is a whole world in five notes, just as there is a world in five colors.” With these words David Benforado, painter and musician, expressed his understanding of art to me. Painting Makams and Between Sound and Silence are, appropriately, the titles of his two series for the art vending machine, both of which have been available for sale this year at the Jewish Museum Berlin (more information about the art vending machine on our website). Music and painting are combined in small-scale oils, studies in color filled with energy and vitality.

Ever since David Benforado has been painting, he has been working with music. His atelier has again and again been the site of sessions with professional musicians, for instance during his time in Budapest with the accordion player David Yengiburgan and here in Berlin with pianist Antonis Anissegos. Seven years ago Benforado began studying the ney, a Middle-Eastern flute, and soon he encountered the world of Turkish makams and modal music from the eastern Mediterranean. This became a source of inspiration for his painting.  continue reading

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