Portrait of Ruthe Zuntz © Ruthe Zuntz
Less than three months after our art vending machine was filled with another 1,400 commissioned art objects, it has sold out. Visitors to the museum might have pulled a picture by Ruthe Zuntz from the machine. Pieces from her “PHOTOMAT: Challenging WallMAT” series, as the photographer entitled her square Dibond aluminum prints which cover ten different motifs, could be sparkling in many new households – like Ruthe herself whom I recently met.
Ruthe, you’re actually known for large, space-filling installations. And yet, for the art vending machine you produced a series of small photo prints. How did that happen?
I found the project really exciting because it matches one of my basic philosophies: → continue reading
“Poster stamps?” A short pause, a puzzled look. “And… what are poster stamps?” This was more or less the reaction of every one of my friends and acquaintances when I told them these last months about ‘what I’m working on at the museum right now’. Namely, an exhibition on poster stamps.
Poster stamp from the publisher M. Fickel © Jewish Museum Berlin, photo: Jens Ziehe, gift of Peter-Hannes Lehmann
Poster stamps, I would answer, are small promotional pictures, a little bigger than stamps. They were used as advertisements for products and stores just about exactly a hundred years ago. Some of the stamps were designed by well-known artists like Lucian Bernhard and people would collect them, particularly children.
I didn’t know much more than that about these poster stamps before I started researching for our cabinet exhibition “Pictures Galore and Collecting Mania – Advertising in Miniature”. The show begins on 4. December, 2014 and lasts until 31. May, 2015 at the Rafael Roth Learning Center. To learn more about the relevance that the stamps had before World War I, I began reading contemporary advertising manuals and magazines.
At first I found relatively little on the subject, → continue reading
David Moses © photo: B.Gruhl
The construction and the fall of the Berlin Wall have occupied two generations of artists in the Moses family: in 1963/64 Manfred Heinz Moses created “The Balcony,” an etching on which, fifty years down the line, his grandson David Moses was to base a woodcut and polychrome etching. The latter works are likewise called “The Balcony” and they number among the unique pieces developed by seven artists resident in Berlin for the art vending machine on display in our permanent exhibition. A total stock of 1,400 artworks has been sold since early summer.
Grandpa Moses created his etching when still reeling from the shock of a trip to Berlin shortly after the Wall was built. It shows → continue reading