Reading with Anita Awosusi
Anita Awosusi has championed Sinti and Roma civil rights; photo: private
Our series “New German histories” continues this year: on February 9, 2017, (the date was cancelled at short notice!) Anita Awosusi will introduce her book Vater Unser – Eine Sintifamilie erzählt (Our Father – A Sinti Family Recounts) in the W. Michael Blumenthal Academy of the Jewish Museum Berlin. In her book the author weaves together her family’s biography, broader historical events, and the aftermath of Nazi rule. She tells the story of her father and at once of her own evolution. As a civil rights activist she still fights today against discrimination and for equal rights and civic participation for the Sinti and Roma peoples and was active for over twenty years at the documentation and cultural center for German Sinti and Roma. In anticipation of the event we asked Anita Awosusi three questions:
You entitled your book Our Father – A Sinti Family Recounts. Is the play on the central Christian prayer, the “Our Father”, intentional on your part? If so, what did you want to express with this choice?
The title Our Father came about because my sister and I always say “our father” when we talk about our parents. In addition, my father had a very fundamental role in our family as patriarch. Not to suggest at all that our mother was less respected by us children. But there was a second reason: → continue reading
– The Story of a Search
This oil sketch entitled Das Gastmahl der Familie Mosse (The Mosse Family Banquet) was restituted to the community of heirs of Felicia Lachmann-Mosse; Photo: Jewish Museum Berlin, Jens Ziehe.
Today is the International Holocaust Remembrance Day when we also remember the consequences of the criminal Nazi regime, which can still be felt today. One of these consequences is that a lot of museums are still holding cultural artifacts that were unlawfully confiscated from their owners during the Nazi era. Thus the Jewish Museum Berlin restored the oil sketch Das Gastmahl der Familie Mosse (The Mosse Family Banquet) to the heirs of Felicia Lachmann-Mosse in December last year. How was this decision reached? Provenance research has attracted increasing attention in recent years and caused frequent rumblings in the media – but how is it actually carried out? → continue reading
In the light comedy The Golem and the Dancing Girl from 1917, Paul Wegener satirizes his own 1915 film The Golem; photo: Deutsches Filminstitut, Frankfurt a. M./estate Paul Wegener – collection Kai Möller
In January of 1915 the figure of a golem appeared for the first time on the silver screen, on Berlin’s Kurfürstendamm. The public was captivated by a truly modern monster. At the same time, southeast of the Belgian city of Ypres battles of the First World War were raging. Following on the heels of this first silent golem movie came two more in 1917 and 1920, also debuting in Berlin. The lead role of the golem was played in all of them by Paul Wegener, who had also come up with the idea for the projects and written the screenplays.
In the current exhibition GOLEM (more on www.jmberlin.de/en/golem), a theme room has been dedicated to these three silent movies. → continue reading