or Why Toy Dogs Aren’t Allowed in the Museum
Photo by Gertraud Zimmermann from an article on www.myheimat.de
Some time ago an entire extended family from Berlin wanted to visit the Jewish Museum Berlin, with grandma and the whole kit and caboodle—including their toy dog Choux-Choux. Heading in towards the permanent exhibition, every member of the family passed through the ticket check smoothly … except the father. This well-built gentleman was carrying a little bag under his arm—with a tiny dog peaking out of it.
The museum’s hosts amiably informed the patriarch that the dog was permitted in the lobby and museum garden, but not in the exhibitions. They did not, however, encounter much forbearance and a heated discussion ensued. The argument went, “This is a toy dog. He’s allowed everywhere!” The surprised hosts, who had up till that moment never heard the term ‘toy dog,’ followed up on the unresolved question: why in fact couldn’t Choux-Choux come into the museum? → continue reading
View of the cabinet exhibition “In a foreign country. Publications from the Displaced Persons Camps” in the basement of the Libeskind Building.
© Jewish Museum Berlin, photo: Jens Ziehe
In our cabinet exhibition “In a foreign country” we explore the publishing operations of survivors and refugees, the so-called displaced persons (DPs) who were stranded in occupied Germany after 1945. For this show we selected the widest variety of genres: schoolbooks, Judaica, volumes of poetry and prose, historical documentation, and Zionist pamphlets.
They all have two things in common: first, the quality of the paper these post-war printers used was extremely bad. Second, they all come from the Berlin State Library, whom we’re hosting for this exhibition due to its historically valuable collection of DP literature.
With one little exception. → continue reading
The Many Faces of Isaac and Ismael, Part 4
Our special exhibition, “Obedience. An Installation in 15 Rooms by Saskia Boddeke & Peter Greenaway,” has been extended until 15 November 2015. The multimedia art installation takes on the sons’ perspectives of this biblical story, when Abraham intended to sacrifice his son in fulfillment of God’s command. In a film projection at the beginning of the exhibition, visitors are greeted by children, youth and young adults with the words, “I am Isaac” or “I am Ismael,” in a variety of languages.
There’s an interactive component to the exhibition, located in the Eric F. Ross Gallery on the ground floor of the Libeskind Building: A video box where visitors can express these words in their own way and, in so doing, more strongly identify with the child perspective of this story of the attempted sacrifice. We’ve presented a small selection of these video clips on the blog over the last several months.
Lisa Albrecht, continuing her task of compiling the clips, has concluded that Isaac and Ismael not only have many faces, but also many names.
However, not all Museum guests are so ‘obedient’ in fulfilling the video box’s intended purpose: → continue reading