An Interview with Eran Shakine
Today, on 27 October 2016 at 7 pm, our exhibition “A Muslim, a Christian, and a Jew” is opening with Eran Shakine in attendance. In the run-up to the opening, Gregor H. Lersch spoke with the Israeli artist about religion, art, and his sources of inspiration.
Eran Shakine; photo: Shay Kedem
Gregor H. Lersch: What does “A Muslim, a Christian and a Jew” (MCJ) show?
Eran Shakine: “A Muslim, a Christian and a Jew…” sounds like the beginning of a joke. But that is just to get your attention.
The show is an installation consisting of 40 paintings, drawings, and three metal cut-out sculptures.
The three similar figures, their religious background unidentifiable, create situations by means of a vivid and comical body language. In every drawing they witness and experience major events in history or philosophy, or meet important figures like Moses, Buddha or Nelson Mandela. The three heroes, dressed as 19th century gentlemen, help each other in their journey to find the love of God.
Here, there are no stereotypes, no one is the laughingstock, everyone is the same; we see three human beings who explore life, nature, culture and philosophy, out of shared curiosity, without trying to prove each other wrong.
Why did you start to work on MCJ? → continue reading
Ármin Langer; Foto: Kat Kaufmann
As part of the series “New German Stories,” we will present the book Ein Jude in Neukölln. Mein Weg zum Miteinander der Religionen (A Jew in Neukölln. My path to the coexistence of religions) by Ármin Langer on 19 October 2016. The author, who will be our guest on this evening, will talk about his life as a Jewish activist and his experiences as coordinator of the Berlin Salaam-Shalom initiative that sets an example of peaceful Jewish-Muslim coexistence.
We asked Ármin Langer three questions:
Alina Gromova: Ármin, you decided at the age of 21 years to become a rabbi even though you are from a secular family. What led you to this decision back then?
Ármin Langer: Already as a child I was open to religion, but this feeling found no frame until I was 20. → continue reading
Golem Costume for Death, Destruction, and Detroit II at the Schaubühne Berlin, 1987. Directed by Robert Wilson; Lender: The Jewish Museum, New York
The Golem is brought to life from inanimate material, as is the exhibition we are dedicating to him. Up until the opening on September 22, many days will be spent building, painting, felting, typesetting, printing, writing, cutting, hanging and pouring. For the celebratory opening, we have invited as our special guest, a robot who will greet the public.
REEM and REEM C at a Meet-and-Greet © PAL Robotics, Barcelona
© Scholem Archives, The Jewish National and University Library, Jerusalem, Israel
But up until that moment, there is still a lot to be done. All of the objects and works of art have already arrived in Berlin. For example, the smallest item (14.5 x 11 cm), which is roughly the size of a post-it. On this piece of paper, Gershom Scholem (1897–1982), the scholar of Jewish mysticism, noted the beginning of the so-called “Golem Recipe,” which he had discovered in a medieval manuscript during his research at Oxford. → continue reading