On Identifying Museum Visitors and What Moves Them
The ten-millionth visitor Paula Konga in November 2015 © Jewish Museum Berlin, photo: Svea Pietschmann
Gleeful excitement in the museum lobby, for we are greeting our ten-millionth visitor since the opening in 2001, and we are all ears. “It’s my day off and I want to take the opportunity to revisit the permanent exhibition,” the 33-year-old Berliner Paula Konga tells us. An architect by profession, she is particularly interested in Daniel Libeskind’s design of the museum. “The building is well worth visiting more than once, also for Berliners.” No sooner have we handed over a bouquet of flowers and a one-year-membership in the Friends of the Jewish Museum Berlin Association than our guest of honor vanishes into the ramified spaces of the Libeskind Building (further information about the Libeskind Building can be found on our website).
Next, a group of Italian schoolchildren pushes past me, another museum visitor asks me to switch his audio guide to French, and a group of British teenagers mills about in search of a young man in a red cap. The seething mass sets me thinking: What actually moves you here, in the Jewish Museum Berlin? → continue reading
A Conversation with the Artists Maria und Natalia Petschatnikov
The end of May, as the first palpable rays of sun shone in Berlin, offered the perfect occasion for an outing to Berlin’s Kreuzberg neighborhood. There the artists Maria and Natalia Petschatnikov showed me their atelier and told me about “Sparrows” and “4 Euros,” the two objects they made for the Jewish Museum Berlin’s art vending machine. They also talked about their current projects and responded with good humor to all of my questions above and beyond the subject of art.
Maria (left) and Natalia Petschatnikov in front of part of their project “Berlin & Berlin”, 2015
© and photo by Michaela Roßberg
Michaela Roßberg: You work together and you’re twins – identical twins. What is it like to work so closely? How do you develop ideas and work on projects? And does one or the other of you start with an image of the finished work in mind?
Maria: We do a lot through dialogue. It isn’t that one of us has an idea and, once a project is finished, could say: “That was my idea.” Our work emerges from a joint process. For instance, we walk through the city and see interesting things that get us thinking. We talk about them, and together, start forming ideas. → continue reading
Georg Sadowicz in his atelier
© Jewish Museum Berlin, photo: Kilian Gärtner
I’m meeting Georg Sadowicz in his atelier in Berlin-Hohenschönhausen. The Berlin-based artist was born in Liegnitz, Poland, on the German border. Since April, two of his pieces – precursors to larger work – have been made available to visitors as a limited run in the Jewish Museum Berlin’s art vending machine. They are titled, “The Cantor” and “The Mill.” Sadowicz’s atelier is a mere hundred meters from the grounds of a former Stasi detention center, now a memorial site. The sight of it troubles me, but the unease vanishes as soon as I step into Sadowicz’s atelier. → continue reading