The idea that revolution – real revolution – lies in an accumulation of minor changes in daily life, as opposed to violent uprisings in the streets, is finding increasing popularity, in particular among the media literate who proliferate trends with ever-increasing technical expertise. This idea is Adam Thirlwell’s point of departure in his most recent publication, Kapow!, a novel about the Arab Spring, set in Tahrir Square in 2011.
Accordingly, riots play only a minor role in the novel. For Thirlwell, the true needle bursting fundamentalist Islamic bubbles one after another, is pop culture. “Kapow!” spells out the cartoon sound for violence.
Uprisings are both the backdrop and a metaphor for the story, which is a love triangle. Nigora, the heroine, is married to Rustam, a media-grouch, who stands for everything old, such as unfashionable gym socks, cassettes, and even burkas. Nigora finds herself increasingly attracted to Ahmad, a tech-savvy hipster in Brooklyn glasses, who makes movies on his digital camera. Ahmad believes that private life – meaning drugs and food, books and movies, fashion and sex – is “larger than the revolution.” It is. His activities have expanded his horizon beyond the borders of Egypt and they connect him in style and thinking with youth cultures around the world. Continue reading →
The conference was kicked off by Yale University comparative literature professor (emeritus) and Holocaust studies pioneer, Geoffrey Hartman. Born in Frankfurt in 1929, Hartman emigrated to England in 1939 as part of the refugee children’s movement. Together with his wife Renée, a survivor of the Bergen-Belsen concentration camp, he became involved in the founding of the Fortunoff Archive, which has recorded video interviews with Holocaust survivors since the 1970s. He views these video interviews as constituting a genre of their own, whose greatest significance comes from allowing survivors to speak for themselves. Continue reading →
A police siren blares through the last rooms of the permanent exhibition. The source of the alarming noise is a film excerpt being displayed on a large screen.
This section of the exhibition is about the Frankfurt Auschwitz trial that took place from December 1963 until August 1965. Former SS members of the Auschwitz concentration camp authority were tried for murder or for aiding and abetting murder. The litigation is regarded as a turning point in the way the National Socialist past was dealt with in the new Federal Republic. Continue reading →