Tomorrow evening, 9 September 2014, the cultural anthropologist Alina Gromova will present her book “Generation ‘kosher light’” (transcript Verlag 2013) in the Academy of the Jewish Museum Berlin. As in the case of the many other authors whose “New German Stories” we recently discussed, we put three questions to Ms. Gromova prior to her reading:
Alina Gromova © Judith Metze
Alina, for your study of an international group of young Jews in Berlin you took the city itself as your springboard. Exploring the locations where your subjects live, hang out, mingle and party enabled you to chart their diverse notions of identity, tradition and religion. Why did you opt for such an explicitly spatial focus?
Identity and tradition are terms often difficult to grasp, because they are interwoven with symbols, values, wishful thinking or memories. A space, however, has not only a symbolic but also a physical dimension and is therefore more palpable. Personally, I don’t see a space as a 3-D void waiting to be filled by people or things. On the contrary, people and things are what create a space in the first place. And urban space is especially fascinating, I find, because a broad cultural and religious spectrum often occupies one and the same spot, however tiny; and different elements simultaneously give rise there to their own spaces, so the result is a palimpsest of spaces that then interconnect.
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“Enthüllungen über das tragische Lebensende Lassalles” (An Exposé of the Tragic Death of Lassalle) by Bernhard Becker © Jewish Museum Berlin, photo: Leonore Maier
150 years ago today – on the last day of August, 1864 – Ferdinand Lassalle died as a result of injuries sustained in a duel. The German politician and journalist was a founder of the first workers’ organization in the country, the General German Workers’ Association, which had come into being the year before his death and is today still considered “the birthplace of social democracy”. Ferdinand Lassalle’s duel pistols were on display at the exhibition “150 Years of Social Democracy”, presented a year ago by the Moscow State Archive.
Both a politician and a charismatic agitator for the organization of workers, Lassalle was only 39 years old when he challenged Wilhelm von Dönniges to a duel because the latter had refused to grant Lassalle his daughter’s hand in marriage.
After his abrupt demise, a veritable cult of personality developed around his memory: there were poems, songs, even rituals carried out during the widespread commemoration ceremonies, as well as various pieces of memorabilia that circulated among his followers. The first book with “An Exposé of the Tragic Death of Lassalle” appeared in 1868, by one of his close political comrades.
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in Conversation with Emile Schrijver, Curator of the Braginsky Collection
What made you decide to be curator of a manuscript collection?
When I studied Hebrew in Amsterdam, a lecturer took us to see the University of Leiden’s collection of medieval manuscripts. In the impressive vaults, I saw ancient manuscripts for the first time: the only manuscript of the Jerusalem Talmud (Yerushalmi), for instance, and one of the earliest Rashi manuscripts. Seeing these ancient sources, and gaining first-hand experience of living history, was overwhelming. Historical books had a strong effect on me. I subsequently studied at the Bibliotheca Rosenthaliana, the Jewish library at the University of Amsterdam, where I later began to work. A few years ago, Mr. Braginsky was looking for a curator for his first exhibition in Europe. Mutual acquaintances from the international circle of manuscript specialists put us in touch with one another. We got along well and were soon able to establish a good, trusting working relationship
What do you do as a curator of the Braginsky Collection?
Emile Schrijver and the Harrison Miscellany © and photo: Darko Todorovic, Dornbirn (A)
I take care of the collection. I am responsible for Mr. Braginsky’s new acquisitions and for his existing objects. Most new acquisitions are delivered with a short description. Others we describe and photograph, before adding them to our inventory. I carefully examine the books’ condition and, if necessary, commission their restoration. I’m also responsible for monitoring the climate in the storerooms. Inquiries concerning exhibitions and reproductions are a lot of work for us. The process of digitizing our stock is ongoing. Occasionally, scholars wish to view specific works at length. We also organize presentations on our own premises, on behalf of the European Association of Jewish Museums, for example. Public relations for events such as the Jewish Book Week in London in 2013 likewise require a great deal of preparation.
What makes the Braginsky Collection so special? → continue reading