It’s cold. The neon light casts a harsh glare. A gray cabinet stands next to another along white walls. The room feels sterile. The air conditioning hums. A gloomy place.
I put on blue, latex gloves, open one of the cabinets and take out a gray carton. Contours of an item shimmer from under layers of tissue paper. Carefully, I take the object out of the carton and free it from the paper; a microcosm of history presents itself, as if this gloomy place accentuates the aura of the item, the room itself taking a whole step back. → continue reading
Starting on May 22 the Jewish Museum Berlin will present the exhibition “Obedience” by filmmaker Peter Greenaway and multimedia artist Saskia Boddeke. Designed as an installation in fifteen rooms the exhibition refers to the story of forefather Abraham, who is willing to obey God’s command and sacrifice his son. The two artists use film projections, installations, precious objects, and sound effects and music to stage the biblical narrative as a sensuous and immersive showpiece. For Saskia the “beating heart” of “Obedience” is the film installation “I’m Isaac / I’m Ishmael” which will be presented at the beginning of the exhibition. Children and young adults from all over the world are now being invited to become part of this installation:
In order to encourage our readers to follow this call, make a video and send it to the artists “Blogerim” spoke with Saskia about the idea of the installation and her artistic vision.
Mirjam Wenzel: The biblical story in the Book of Genesis 22 starts with the voice of God telling Abraham to take his son to the land of Moriah for a burnt-offering. But your exhibition will start with the voice of Isaac and Ishmael. Why?→ continue reading
Staff of the Vielfalt in Schulen (Diversity in Schools) program: Roman Labunski, Rosa Fava and Meral El, photo: Violetta Gershman-Labunski
Clearing up is no joke. We, the Vielfalt in Schulen or, in brief, ViS project team, are currently faced with photographs, magazines, books, and documents without end, as well as all the rest of the stuff that has piled up in our offices over the last three years. What shall we do with it all? Which things are of interest and viable in the museological sense? → continue reading