Last summer, a snigger went viral in the Jewish online community when an eBay entrepreneur posted a pendant of a Navajo moose. Labeled a “Unique Vintage Navajo Moose 925 Sterling Silver Pendant, marking 0.8 grams,” the trinket for sale was in fact a Jewish amulet depicting the Hebrew word “chai” for “life/living.” The motif is popular in Jewish jewelry. It consists of the two letters chet and yod and is not commonly mistaken for an animal. But this particular example simplified the letters and joined them together, which made them appear, quite truly, like an antlered moose in Native American style. Continue reading
Last summer, the Korean musician PSY sang out in protest against consumerism in Gangnam, a posh district in Seoul. His video shows him dancing, as if on a horse, in front of wealthy-looking men and scantily-clad women. For reasons only posterity may help us to understand, Gangnam Style became Youtube’s most frequently watched video clip. A series of parodies were produced by groups as far distant from Gangnam – geographically and ideologically – as NASA and Greenpeace.
Gangnam-style protest reached the art world with particular fervour. Chinese activist Ai Weiwei released a Gangnam Style video in protest of censorship in his country. Reacting to this video, Jewish-Indian artist Anish Kapoor – whose works are on display starting 18 May 2013 at the Martin-Gropius-Bau, Berlin – animated art museums in England and the USA to shoot a video in support of Ai Weiwei. Shortly thereafter, the Philadelphia Art Museum posted a video with its staff members dancing to the Gangnam tune, though their object of contention is not immediately apparent:
This year, the national museum assistant convention of the German Museums Association took place from March 1 to 3 in Frankfurt-am-Main, and the theme was “Museum today: ideals, trends, and perspectives.” The convention offered academic trainees from federal German museums and memorials an extensive array of lectures, excursions, and workshops. Along with all the other museum assistants, I was impressed by the diversity of events. The Historical Museum served as a set starting point, having put nearly its entire premises at the disposal of the convention.
On the day of our arrival, there was already a chance to take a tour through one of the many museums on the embankment of the Main. I visited the Jewish Museum Frankfurt, where our group was guided by Sabine Kößling, a former museum assistant at the Jewish Museum Berlin. She told us about the planned conception of the permanent exhibition, which originates largely from 1988, the year that the museum was founded. The reworking of the exhibition is being done in stages, so that the entire museum won’t need to be closed to visitors until 2014. The section on “Festivals and feast days – religious life”, for example, was being augmented with a large mural depicting the story of Moses and the Pharaoh.
The second day featured a number of workshops. I participated first in one called “Provenance research is power: arm yourself.” Continue reading