Achtung GOLEM!

Objekts on a table and a sign "Achtung Objekt"

Golem Costume for Death, Destruction, and Detroit II at the Schaubühne Berlin, 1987. Directed by Robert Wilson; Lender: The Jewish Museum, New York

The Golem is brought to life from inanimate material, as is the exhibition we are dedicating to him. Up until the opening on September 22, many days will be spent building, painting, felting, typesetting, printing, writing, cutting, hanging and pouring. For the celebratory opening, we have invited as our special guest, a robot who will greet the public.

Two humanoide robots greet each other

REEM and REEM C at a Meet-and-Greet © PAL Robotics, Barcelona

A piece of paper with handwriting in German and Hebrew

© Scholem Archives, The Jewish National and University Library, Jerusalem, Israel

But up until that moment, there is still a lot to be done. All of the objects and works of art have already arrived in Berlin. For example, the smallest item (14.5 x 11 cm), which is roughly the size of a post-it. On this piece of paper, Gershom Scholem (1897–1982), the scholar of Jewish mysticism, noted the beginning of the so-called “Golem Recipe,” which he had discovered in a medieval manuscript during his research at Oxford.  continue reading

After Installation Comes De-Installation

Conservation Work on the Boris Lurie Exhibition

Alicija Steczek with a work of Boris Lurie

Conservator Alicija Steczek in front of a work of Boris Lurie; Jewish Museum Berlin, photo: Stephan Lohrengel

Visitors to our exhibition “No Compromises! The Art of Boris Lurie” (further information on our website) do not usually realize that they are viewing the result of lengthy groundwork and complex collaboration between various divisions of the museum. Those involved include, among others, employees of the temporary exhibition department, the registrars who for example take care of loans and organize shipments, and us conservators. We were already on board a year and a half before the exhibition was installed. Our work continues for the duration, only coming to an end with the closing and removal of the show in early August.

Boris Lurie’s art is fascinating and very variegated as to materials. Our work to protect it is thus correspondingly elaborate.  continue reading

An Unsolvable Mystery?

A Photo Collection Found Hiding in Berlin-Friedrichshain

Black and white photograph of a girl standing in front of a door

A girl standing in front of a door, presumably Berlin, about 1918–1922; Jewish Museum Berlin

Every time I open a new folder of photos, I can’t know what’s waiting for me – what faces I’ll find or fates will be revealed. Images are often part of a larger collection, consisting of documents, everyday articles and artwork, for which we already know the biographies of those pictured or can further research. Such was the case, for example, of the cabaret artist, Olga Irén Fröhlich, whom I’ve written about before on this blog. This time, however, the people in the photographs will remain unknown to me; I won’t be able to attach names or histories to them. Perhaps you can!

It’s not out of the ordinary to work with collections that have been in the Museum’s possession for decades.  continue reading