Friends Sixteen Times Removed and a Camel on a World Tour

A Visit to the Photographer and Architect Birgit Glatzel

Birgit Glatzel with her Rolleiflex camera on her balcony

Birgit Glatzel with her Rolleiflex camera; Jewish Museum Berlin, photo: Mariette Franz

It’s a warm summer’s day when I visit Birgit Glatzel in Prenzlauer Berg, the same kind of day it must have been when she shot her photograph “Angela and Me,” which, like her short film “Going to Jerusalem,” has been available in our art vending machine since April (more information on our website).

“Angela and Me” is part of a series in which the artist portrays herself with a friend in self-timed pictures. All the photographs are taken with a 1937 Rolleiflex camera, and the location and backdrop are always chosen together with the friend in question. Birgit embarked upon the project shortly before her emigration to Israel in 2007 – she wanted to take photos to remember her friends in Germany. “Memories play an important role in Judaism, for example an original piece is always left in a newly refurbished apartment,” explained the artist, who trained as an architect and works as such to earn her living.  continue reading


Adrift in an Immaculate White Void

An Encounter with Daniela Orvin, Photographer

The artist Daniela Orvin

Daniela Orvin in her studio apartment in Berlin in June 2016: in her hand, a plastic camera, her Holga; in the foreground, her photo book Dressur-Wunder; below right her dog, Laika; Jewish Museum Berlin, photo: Maren Krüger

“Dyslexic dysgraphia”—the title of the photo series by Israeli artist Daniela Orvin on sale since April 2016 in the Jewish Museum Berlin’s art vending machine is pretty difficult to grasp; but it simply means “difficulty with reading and writing.” “Every one of my artworks is a self-portrait,” the photographer and musician told me, when I paid her a visit one sunny afternoon at her studio apartment in Berlin-Friedrichshain. She herself has difficulty reading but she was 29 years old before the handicap was detected—despite it having caused considerable disorientation her whole life long. Place the photos in the “Dyslexic dysgraphia” series side by side and they resemble the symbols of some bizarre, outlandish language.  continue reading


“Art has to be for everyone”

Joachim Seinfeld’s HeimatReisen (HomelandTravels)

Joachim Seinfeld in his atelier

Joachim Seinfeld at work in his atelier in the former broadcasting station in Berlin; Jewish Museum Berlin, photo: Michaela Roßberg

The wonderful thing about Berlin for me as an historian is that there’s something around every corner waiting to wow me or get my “history heart” to skip a beat. I was able to get to know yet another spot this year when I interviewed Joachim Seinfeld in his atelier in the old broadcasting station in the Berlin Treptow-Köpenick district. We talked about his HeimatReisen (HomelandTravels) project for the art vending machine at the Jewish Museum Berlin (further information on the art vending machine on our website).

The station's entryway with different clocks on the wall

The station’s entryway was built with marble tiles from the New Reich Chancellery; Jewish Museum Berlin, photo: Michaela Roßberg

The broadcasting station on Nalepastrasse is a unique place: Beginning in 1956, programming across the former GDR was produced and broadcast from there. The public broadcasting system, established following German reunification, took over this work in 1991 and then, after several changes in ownership, the building became a place for artists from around the world to establish their ateliers.

Joachim, your photo series – available to visitors in the art vending machine – consists of a number of images depicting you in various locations around Germany. Why, of all your work, these images for the vending machine?

In 2006, I did a photo series about Poland. In 2011, I thought to do something similar about Germany. So I wanted to do it anyway, and I chose the images most interesting to me.  continue reading