New arrivals: artwork for the vending machine

The last few weeks have been full of hectic hustle and bustle, with boxes being passed from hand to hand, examined, unpacked, and sorted through. Such a variety of objects emerged from their cases and seemed to be disseminating in every direction through the museum.

Cards with blue printings

© Jewish Museum Berlin, photo: Gelia Eisert

Blue prints were spread out over a long, dark red sheet. Words seemed to glow in them – was it “tekhelet” or “argaman” or both? And what do they mean anyway?

"Magic" Card on a table in the kitchenette

© Jewish Museum Berlin, photo: Gelia Eisert

 

A “magic” card appeared in a kitchenette. Suddenly everything was kosher: the sink, the refrigerator, the dishes, the whole kitchen. The artist promised it would be, and thus it happened.  continue reading


A Film Still in the Mail Box

Daphna Westerman’s Postcards in Motion

black white photograph of Daphna Westerman’s postcards, front view

One of Daphna Westerman’s postcards, front view. © Jewish Museum Berlin, Photo: Lisa Albrecht

Did you find a postcard like this one in your mail box as well? Or have you even pulled the entire road movie by Daphna Westerman out of our Art Vending Machine? By now the Machine is sold out completely. But no need to stop the movie! Let’s just rewind a little…
Before the work of the Israeli artist ended up in the museum’s Art Vending Machine, I received a postcard with a black and white photograph. Except for my address and the title, “U-Bahn Berlin. From In and between the cities, 2011. A film by Daphna Westerman,” there was nothing more to it. A few days later more cards were in the mail. Time to phone Daphna.  continue reading


Photographs that peel away the masks – A conversation with Ruthe Zuntz

colour photograph with a portait of a young women

Portrait of Ruthe Zuntz © Ruthe Zuntz

Less than three months after our art vending machine was filled with another 1,400 commissioned art objects, it has sold out. Visitors to the museum might have pulled a picture by Ruthe Zuntz from the machine. Pieces from her “PHOTOMAT: Challenging WallMAT” series, as the photographer entitled her square Dibond aluminum prints which cover ten different motifs, could be sparkling in many new households – like Ruthe herself whom I recently met.

Ruthe, you’re actually known for large, space-filling installations. And yet, for the art vending machine you produced a series of small photo prints. How did that happen?

I found the project really exciting because it matches one of my basic philosophies:  continue reading