Hanukkah Candleholder at the 15th Hanukkah Ball of the Jewish Cultural Center, Berlin 12.12.2004 © Photo: Igor Chalmiev, gift of the Jewish Cultural Center to the Jewish Museum Berlin
25 years ago today, on 22 January, 1990, the Jewish Cultural Center was founded. One month earlier, on 13 December, 1989, the press agency ADN published an appeal in numerous East German newspapers. It announced a new coalition of Jews living in East Germany who were committed to spreading the knowledge of Jewish culture and history. The appeal was not an accident:
As early as 1986, secular Jews had found themselves gathering, at the invitation of the Jewish Congregation of (East) Berlin, to explore their Jewish roots – a heritage that no longer played any role in their parents’ identities. A group called “We for us – Jews for Jews” formed out of this second generation of political emigrants who had returned to Germany and grown up in the East. During their regular meetings → continue reading
In the summer of 2012, there was an intense discussion in Germany about whether the circumcision of boys constitutes bodily harm under the law. Preceding this so-called ‘circumcision debate’ was a decision by Cologne’s district court that criminalized the ritual circumcision of boys. A high point in the debate occurred when a German doctor registered a legal complaint against Rabbi David Goldberg, of Hof, claiming that he was liable for “dangerous personal injury” due to the circumcisions he performed. I spoke with him about the complaint, and about his feelings as well as the reactions that he encountered during that period.
Rabbi David Goldberg © private
Dear Rabbi Goldberg, how did it happen that you were reported?
That’s easy to explain: I’m known in Germany as a circumciser and I’m easy to find through my website. Opponents of circumcision were looking for a sacrificial victim and they found it in me. Because the people who made the complaints against me…
… there were more than one?
Yes, there were a number of them. But the people behind them didn’t even know me. They were simply looking for a scapegoat.
How was it for you during that period?
→ continue reading
Portrait of Ruthe Zuntz © Ruthe Zuntz
Less than three months after our art vending machine was filled with another 1,400 commissioned art objects, it has sold out. Visitors to the museum might have pulled a picture by Ruthe Zuntz from the machine. Pieces from her “PHOTOMAT: Challenging WallMAT” series, as the photographer entitled her square Dibond aluminum prints which cover ten different motifs, could be sparkling in many new households – like Ruthe herself whom I recently met.
Ruthe, you’re actually known for large, space-filling installations. And yet, for the art vending machine you produced a series of small photo prints. How did that happen?
I found the project really exciting because it matches one of my basic philosophies: → continue reading