Research under way in preparation for Thanksgivukkah Photo: Signe Rossbach
Chanksgiving! As a family of German-American Jewish-Protestant-Catholic-Puritan backgrounds, we do like to celebrate as many holidays as we can possibly fit into our family schedule – with Halloween, our twins’ birthday and the classic German lantern parade for St. Martin’s day making for an action packed twelve days at the beginning of November.
After a bit of a breather we’re heading into the next holiday season – with a bit of a twist this year. Usually Hanukkah – the Jewish festival of lights and miracles – is associated with the Christian festival of lights and a miraculous birth: Christmas. And that makes sense, sort of, superficially at least. A few years ago we had an entire exhibition titled “Chrismukkah” – a cultural history of the evolution of the two holidays, and this year on December 3, Rabbi Daniel Katz will present a truly enjoyable talk on how they really don’t fit together at all.
With young adults spending an increasing number of years out of wedlock, preparation for marriage is ever more elaborate: Bachelor and bachelorette parties in North America are notorious for distracting brides- and grooms-to-be with alcohol and promiscuity. Celebrations of a similar nature are called stag and hen nights in England. In traditional German circles, friends and relatives of wedding couples smash dishes on so-called Polterabend (English: rowdy evening). In modern ones, the couple and their friends careen through city streets with flashy paraphernalia, printed t-shirts, and plastic trumpets.
Currently, a group of young Jews in the US are adapting an eastern European pre-marriage tradition, called tisch (Yiddish: table, short for chosson’s tisch, or groom’s table). Continue reading →
You can buy a wide variety of works of art from our art vending machine. One such piece is a postcard by Daniel Laufer (*1975, Hanover).
The card shows a film still from the video, “The Fourth Wall” (at 08:13 min). The story is based on an Hasidic parable about two men who are supposed to design one half of a house. While the first man does his work with zeal, the second delays, uninspired. The second man, who is certain that he won’t come up with a better idea than his rival, decides to coat his work with black bitumen. The material will reflect the other half of the house like a mirror. Thus he discovers a good solution to avoid defeat.
The film was shown this year at the 14th Videonale at the Bonn Art Museum.
In the following interview, Daniel Laufer talks about the genesis and message of his postcard.
Christiane Bauer: Daniel, you work mostly in video form. Yet you produced a postcard for the art vending machine. Why did you choose this format?
Daniel Laufer: A postcard is something mobile that you can take with you. It connects you to something: it provides information and contains a message. It can be a souvenir – but with a statement. And I also like the fact that you can hang it on the wall.
The original work of art is an entire film. Why did you choose this particular shot as a motif for the postcard?Continue reading →