In the Sleeping Car with Ten Hand-puppets and a Travel Hanukkah Candelabrum

A puppet in a blue shirt with the star of David, in front of a crate of Berliner hotcakes with a speech bubble, “Oooh, my oh my! Hotcakes for free!!! Hahahaaaa! Happy Hanukkaaaah!”

One of the hand puppets from Shlomit Tulgan’s bubales family saying “Oooh, my oh my! Hotcakes for free!!!”
CC-BY Shlomit Tulgan

I was asked recently if I could write something about how I celebrate Hanukkah in my own circle of family and friends. It occurred to me that the last time I spent Hanukkah with friends or with my parents was quite awhile back. I rummaged around through old photos until I found a picture of me with my father in 1988, lighting our Hanukkah candelabrum: we had just applied for political asylum in West Berlin and were allowed to stay with friends, so we didn’t have to remain longer in refugee quarters. For me back then, Hanukkah was a personal, family thing.  continue reading


Mensch or Might?

Impressions of the “Obedience” Exhibition, from Muslim and Christian Perspectives

A woman with short hair (left) and a woman with a blue headscarf (right) speaking in a microphone

Silke Radosh-Hinder and Emine Erol in the “Golden Room” © Jewish Museum Berlin, photo: Svea Pietschmann

During the recent “Long Night of Museums” event, visitors were given a unique introduction to our current temporary exhibition “Obedience. An Installation in 15 Rooms by Saskia Boddeke & Peter Greenaway,” when the imam Emine Erol and the pastor Silke Radosh-Hinder led guided tours together. We asked the two women what they made of the occasion, and whether the joint guided tours had opened up novel views and perspectives on the biblical story.

Ms Erol, Ms Radosh-Hinder, would each of you describe the exhibition in your own words?

Silke Radosh-Hinder: For me, the exhibition is above all an opportunity to examine the story of the Binding of Isaac from a myriad of perspectives.

Emine Erol: The primary focus of the Obedience exhibition is the frame of mind of Ismael/Isaak respectively of his father Abraham. By prompting an emotional response and reflection, it helps visitors understand, ultimately, that such surrender may be dangerous or possibly even fatal—and also to understand what may motivate it.  continue reading


Kol Nidre and the “Civil Improvement of the Jews” – Controversies throughout the Ages

Religious ceremony with soldiers

Postcard “Kol Nidre outside Metz 1870,” gift of Liselotte Eschenbach, more information on the object in our German-language online collection
© Jewish Museum Berlin, photo: Jens Ziehe

On 23 September of this year, we will celebrate Yom Kippur. As always on the eve of the Day of Atonement, synagogues will be overflowing with people anxiously waiting for the singing of Kol Nidre, a prayer (in form of a declaration) in Aramaic and Hebrew that implores God to forget “all vows, obligations, oaths or anathemas, pledges of all names, which we have vowed, sworn, devoted, or bound ourselves to,” either from the past year or for the year to come. This somewhat surprising imploration has caused many prominent Jewish thinkers to question the prayer’s validity.  continue reading