Question of the month: “Why do women have to cover their hair with a wig or scarf after getting married?”

A wall full of questions at the exhibition "The whole truth" © Jewish Museum Berlin, photo: Thomas Valentin Harb

A wall full of questions at the exhibition “The whole truth” © Jewish Museum Berlin, photo: Thomas Valentin Harb

Just over a year ago the Jewish Museum’s special exhibition entitled “The whole truth… everything you always wanted to know about Jews” ended. The only remnants – aside from the animated discussions and empty display cases – were thousands of pink post-it notes, which we kept and read through painstakingly. In the upcoming months we want to respond to some of the questions, comments, and impressions that visitors left behind. Thus to the question above.

Orthodox women do not show their hair in public after their wedding.  continue reading


After the exhibition is before the exhibition

A wall full of questions at the exhibition "The whole truth" © Jewish Museum Berlin, photo: Thomas Valentin Harb

A wall full of questions at the exhibition “The whole truth” © Jewish Museum Berlin, photo: Thomas Valentin Harb

The special exhibition entitled “The whole truth… everything you always wanted to know about Jews” ended more than a year ago. Besides the animated discussions and empty display cases, there are thousands of pink post-it notes left over. Visitors stuck their questions, commentary, and impressions on a concrete wall after they went through the exhibition and left the museum. A kind of analog “facebook” arose out of these contributions, above and beyond the contents of the exhibition itself. Visitors commented on each others’ notes and raised new questions: on the history of Jews in Germany, on the conflict in the Middle East, on the relationship between Christianity and Judaism, and – again and again – on the subject of circumcision. At this point, the Jewish Museum Berlin had already decided to dedicate not just another blog post to the contentious topic (as part of the series “Question of the month”), but an entire new exhibition.

We recall:  continue reading


Photographic testimony: on the history of the Herbert Sonnenfeld collection

108 years ago, on 29 September 1906, in the Neukölln neighborhood of Berlin, the photographer Herbert Sonnenfeld caught his first glimpse of the light of the world.

His photographs constitute one of the largest and most important portfolios in the Jewish Museum Berlin’s photographic archive. The Sonnenfeld collection consists of some 3000 negatives taken between 1933 and 1938. Along with Abraham Pisarek and Arno Kikoler, Sonnenfeld is one of the few Jewish photographers to document Jewish life in and around Berlin in the 1930s, passing down to us today an unparalleled photographic witness to that period.

Black and white picture of an man with a camera in his hands. He looks directly at the phtographer

Herbert Sonnenfeld, photograph by Leni Sonnenfeld, Berlin ca. 1935
© Jewish Museum Berlin, purchased with funds from the Stiftung Deutsche Klassenlotterie Berlin

Herbert Sonnenfeld first worked as an insurance employee before being laid off as a result of the Nazi regime’s anti-Semitic measures. He came to photography circuitously and was an autodidact. Following a trip to Palestine in 1933, his wife Leni approached various Jewish newspapers and offered them her husband’s pictures. They were enthusiastic, promptly bought up the prints, and asked for more. Thus began Sonnenfeld’s career as a press photographer.
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