Emanuel and Johanna Stern, ca. 1903; Jewish Museum Berlin, gift of Alexander Summerville
Just over two years ago, I penned a blog text describing a Passover Haggada that I had purchased online. It caught my attention due to the lists of names written on the inside front and back covers of individuals who attended the Passover Seders over the course of seven years that were held in two residences in Berlin, both of which were in close proximity to the Jewish Museum Berlin. Research revealed a substantial amount of information about various persons named therein and my text concluded with the hope that contact might be established with descendants of some of those found in the lists.
At the end of March of this year, I flew to Stockholm to visit Alexander Summerville, the great grandson of Paul Aron, in whose home in the Hedemannstraße 13/14 Passover Seders took place in five of the years for which lists exist in the Haggada. → continue reading
A Guest Entry by Rudij Bergmann
Accompanying our current exhibition, “No Compromises! The Art of Boris Lurie,” Rudij Bergmann’s film about the artist will premiere on 21 March 2016 (additional information available on our event calendar). In this guest entry, the filmmaker tells us how this very personal documentary came about.
The artist’s longing for Europe was palpable from the moment I first saw him in the dim light of an apartment hallway on New York’s 66th Street. Stepping into his home studio, confronted by this breathtaking collage of memory, it was immediately clear to me that Boris Lurie hadn’t fully left the concentration camps he survived with his father – at least mentally.
It was October 1996. A film for the television magazine BERGMANNsART, which I’m for all intents and purposes responsible for, was the reason to rush to see Lurie in New York. (The film, in German and with age restriction, is available on YouTube.)
It was the beginning of a long friendship. → continue reading
Film Historian Claudia Dillmann on the Artur Brauner Film Collection in Our Library
The German film producer and Shoah survivor Artur Brauner has kindly donated to our Museum twenty-one films on the subject of the Shoah and the Nazi era—you’ll find the complete list on our website. Today, the Museum acknowledges our great appreciation of this gift with a special event in the presence of Artur Brauner and his family.
Photo: Deutsches Filminstitut/Uwe Dettmar
Prior to the event we interviewed film historian Claudia Dillmann about Artur Brauner and the appeal of his film productions, in particular for a Jewish Museum. Ms. Dillmann is Director of the German Film Institute in Frankfurt Main and a renowned expert on Artur Brauner, and also initiated the online resource www.filmportal.de. She talked to us about Brauner’s interest in the victims of Nazi crimes, the balancing acts it has called for, his veneration of Romy Schneider, and the German public’s tastes.
Mirjam Bitter, Blog Editor: Ms. Dillman, in your opinion, how representative is our Artur Brauner Film Collection of Mr. Brauner’s entire production list?
Claudia Dillmann: The films that Artur Brauner has donated to the Jewish Museum are indeed representative since they constitute a pivot of his career—one very dear to his heart—namely an abiding commitment to exposing the Holocaust, not least because forty-nine of his own relatives also lost their lives then. He sees these films as his personal “legacy,” one he has been forging since the start of his career. They are dedicated to victims of the Nazi regime and constitute a cycle that in his view is still not complete. In them, he has continually explored new facets of persecution under the Nazi terror and of the traumata he lived through himself. → continue reading