Victor Alaluf in his studio in Berlin-Friedrichshain © Jewish Museum Berlin, photo: Denis Grünemeier
A retro-style armoire with a skull sitting on top of it—a piece from the collection of Victor Alaluf, an artist with Argentinian roots whom I interviewed recently in his studio in Berlin-Friedrichshain.
In his work—installations, mainly, comprised of drawings, collage, sculpture, video art and everyday objects—Alaluf addresses the existential issues raised by our experience of death, pain, and the ephemeral and fragile nature of all living creatures. His choice both of material and objects is decisive. He frequently chooses brittle materials, such as glass or ceramics, as well as organic matter, such as human hair and blood. Alaluf has a particular penchant for → continue reading
Staff of the Vielfalt in Schulen (Diversity in Schools) program: Roman Labunski, Rosa Fava and Meral El, photo: Violetta Gershman-Labunski
Clearing up is no joke. We, the Vielfalt in Schulen or, in brief, ViS project team, are currently faced with photographs, magazines, books, and documents without end, as well as all the rest of the stuff that has piled up in our offices over the last three years. What shall we do with it all? Which things are of interest and viable in the museological sense? → continue reading
“A ceremony with friends and family”: The bris of Jaal, photo: William Noah Glucroft
In the last few weeks at “Blogerim” we have reported on the discussions that the subject of circumcision can prompt. We shouldn’t lose sight, though, of the fact that the ritual is a matter of course for most Jewish and Muslim families – as, for example, for Amitay and Meital from Israel. I asked the couple what their son Yaal’s bris was like for them.
In mid-December you had Yaal circumcised by a mohel at the Fraenkelufer Synagogue. Did you have to think about it for a long time?
Meital: For me, there was no question.
Amitay: Same here. But when the time approached, I did have some questions.
→ continue reading