A Kind of Family Gathering – Bitter Herbs and Their Relatives in the Diaspora Garden

Yellow plate with foods made of clay and the inscriptions: “Pessah” in the center and all around the edge “Chazeret”, “Beitzah”, “Zeroa”, “Maror”, “Charoset”, and “Karpas”

Shlomit Tulgan made this Seder plate from clay for our children’s exhibition on Passover; Jewish Museum Berlin, photo: Jens Ziehe.

It’s Seder and the family is getting together. Some are traveling from farther away, others are flourishing right here. At the table are escarole, lettuce, parsley, kohlrabi, Belgian endive, and dandelion. But what about horseradish and red radish? They’re both late this year.

The story of the plants and their fruits that have particular meaning on the Seder plate at Passover could be told in various similar ways. They all grow in the Diaspora Garden, which you can visit inside the W. Michael Blumenthal Academy at the Jewish Museum.  continue reading


Hanukkah

“8 Facts” about the Jewish Feast of Dedication

A teddybear holding a burning candle sits alongside an eight-branched lampstand

Jewish Museum Berlin, photo: Jens Ziehe

1
The history of the Jewish Festival of Lights is about the one temple in Jerusalem. To be precise, about its re-consecration (“Hanukkah”) in the year 164 B.C.E. after it had stood for many years under Syrian-Greek control.

 


2

During this period of foreign rule, two groups were in conflict: on the one side was the Seleucid Empire under Antiochus IV Epiphanes, while on the other side were the courageous Maccabees led by the priest Mattathias and his sons.  continue reading


The Colors of Light

Deborah Philips holding a box with her artwork

When delivering her art works to the Jewish Museum Berlin, Deborah S. Phillips naturally wears blue nail polish © Jewish Museum Berlin. Photo: Gelia Eisert

A visit to Berlin-Neukölln, to the studio apartment of Deborah S. Phillips, who is dressed in blue, today, except for her shoes, which are green. That the artist has spent the last five years examining the color blue and is only now gradually turning her attention to hues of green is reflected thus in her apparel as well as her art.

Red was the first color to which Deborah Phillips devoted herself with a passion. The Bible story she read aloud as a 12-year-old in the synagogue on the occasion of her Bat Mizwa was about the red cow—and it haunted her for ages. It was the tale of a strange animal that had to be sacrificed so people could use its ashes to cleanse themselves of sin. Only then would they be able to enter the temple in Jerusalem. Many years later, Deborah Phillip’s reflections on the color red and its cultural significance culminated in one of her enchanting works on paper, the “Red Book,” which is the fruit also of the artist’s extensive voyages in Iran, India and Central Asia, and her affinity with Islamic cultures.  continue reading