Pessach is approaching – the festival of exodus and freedom. This year, there is less talk of having the festive meal at large community gatherings. It is obvious, although unspoken, that smaller gatherings in the home make more sense. We are becoming alienated from our community centers through fear. Keep a low profile. Don’t speak Hebrew on the streets. Some people are removing the mezuzah from their front doorposts, a traditional object that visibly identifies a Jewish household. There is a mood of caution and nervous apprehension.
How did it get to this point?
Advertisement with Imam Ferid Heider and Rabbi Daniel Alter for the “Cycling Unites”-Critical-Mass-Tour in Berlin on 22 March 2015, photo: Michal Friedlander
A drunken man rolls slowly off the train platform and plops onto the tracks at Friedrichstrasse station. Around sixty people witness the moment and look away, hoping that someone else will solve the stinky, awkward problem. And so it was. An Italian and an Israeli jumped down to haul the semi-conscious man to safety. The passengers walked around the startled little group, pressing forward to make the oncoming train.
Dinner party small talk. The discussions nearest me are taking a more political turn and I am just not in the mood to talk about Israel. Too late. The young man next to me asks if I saw the recent pro-Palestinian demonstration on the Kurfürstendamm? He becomes very still and lowers his voice. → continue reading
My Week of Intensive Research into Fred Stein’s Archives
Contact sheet Brooklyn Bridge
© Estate of Fred Stein, photo: Theresia Ziehe
In June of 2012 I had the opportunity to delve into the estate of Fred Stein. During the preparation for our then-upcoming exhibition “In an Instant,” I travelled to the little town of Stanfordville, NY to visit Peter Stein, the photographer’s son and archive administrator. For a week, I studied the voluminous and multi-faceted material stored in various rooms of the private residence. It was an unforgettable immersion into the life and work of Fred Stein.
Hundreds of negatives, kept in fireproof cabinets, make up the core of the collection. Their differing formats point to the two cameras Stein photographed with: coiled strips of Leica negatives and individually packaged 2 1/4 x 2 1/4 inches negatives in pergamin sheets from the Rolleiflex. The cameras themselves unfortunately didn’t survive. Among these negatives, you can see Stein’s first shots of Dresden shortly before he emigrated to Paris in 1933. → continue reading
Opening this Friday at the Eric F. Ross Gallery
Fred Stein is a photographer whose work and biography leave no one unmoved. Some of his portraits are famous—those of Albert Einstein and Hannah Arendt for example—yet Fred Stein himself is not a household name. The young lawyer was forced to flee Germany in 1933. He went first to Paris, and then in 1941 to New York. In these cities of exile he made photography his new profession, producing numerous street scenes and portraits.
“In An Instant” struck us as an apt title for the exhibition of his extensive oeuvre scheduled to open at the Jewish Museum Berlin on 22 November. This title highlights Fred Stein’s talent for capturing his subjects at the decisive moment, spontaneously, and without elaborate preparations—a natural talent, incidentally, for he was a self-taught amateur.
Fred Stein’s special gift of observation is evident in the photograph “Little Italy” (New York, 1943), one of our many favorites. → continue reading