“I wish more people would look in my eyes instead of at my scarf”

A Conversation with Fereshta Ludin about the Headscarf Debate, Discrimination, and Her Hopes for the Future.

To win the right to work as a teacher in the classroom while wearing her headscarf, Fereshta Ludin had to go all the way to the German Supreme Court (see below). On 17 September 2015, she will join us as part of the series “New German Stories” to introduce her book Enthüllung der Fereshta Ludin. Die mit dem Kopftuch (“The Unveiling of Fereshta Ludin: The One with the Headscarf”). Rafiqa Younes and Julia Jürgens spoke with her in the lead-up to the event.

Book cover with a photo of a woman with head scarf

Book cover © Deutscher Levante Verlag

Ms. Ludin, did you ever guess that the first lawsuit you filed against your employers, in 1998 when you were 25 years old, would set off a nationwide debate about the headscarf ban?

You can’t really imagine something like that. I was still very young and idealistic. I wanted to work as a teacher and had no intention of provoking the public or any politicians.

From your perspective, was it worth it to go all that way through courts, becoming, as you did, a public figure – “the one with the headscarf” as the title of your book ironically references?

I don’t regret a single step along the way. I would have regretted much more, to have had to endure the injustice. I took an active stand against discrimination by going through the courts. Many other women were also affected. It was never my aim to become a public person.  continue reading

Shared Roleplay, Undermined Certainties, Red Rooms and Potato Peelers

A Conversation about the Exhibition “Obedience”

The exhibition “Obedience. An Installation in 15 Rooms by Saskia Boddeke & Peter Greenaway,” which has just been extended for two months, prompts extremely varied visitor responses. Atalya Laufer and Marc Wrasse regularly give guided tours of the exhibition. They talked to me recently about the experiences they’ve had, how they see the exhibition, and what they believe is at the root of visitors’ reactions.

Mirjam Wenzel: What form do your guided tours of the exhibition take?

A female visitor looking at a book, in the background other visitors

Visitor in the “Golden Room” with manuscripts of the three monotheistic religions © Jewish Museum Berlin, photo: Jule Roehr

Marc Wrasse: We don’t so much guide visitors as accompany them on a three-step journey of discovery. We welcome the group and give a brief introductory talk, during which we point out that the Museum commissioned two artists to create the exhibition. Then, together with the visitors, we read aloud the relevant passage of the Bible—incidentally, the translation by Moses Mendelsohn—before leaving them to the exhibition.

Atalya Laufer: I prefer to use the translation by Martin Buber and Franz Rosenzweig.

Marc: But you too use roleplay, do you not, when reading the Bible story? That way, we make it clear that we want to explore the exhibition with our visitors and enjoy a shared experience.  continue reading

“I was never disengaged”

A Conversation with Rachel Heuberger on the Biblical Story of the Binding of Isaac and the Exhibition “Obedience”

An old man and a young man, a person dressed in white and a man dressed in dark colours with long red hair and a donkey, all moving on tarmac

Still from a film in the installation “Obedience”
© S. Boddeke & P. Greenaway, photo: Digidaan

The exhibition “Obedience. An Installation in 15 Rooms by Saskia Boddeke & Peter Greenaway” has been open for some time now at the Jewish Museum Berlin. As with every exhibition, this one meets the approval of our visitors to various degrees. Unlike other exhibitions however, the feedback – which often reaches us later – is different than what we might have anticipated. Indeed, this was the case with Dr. Rachel Heuberger, the curator of the Hebraica and Judaica collections at the University Library of Frankfurt. We spoke right after her visit about her thoughts and impressions.

Mirjam Wenzel: You just saw the exhibition “Obedience” by Saskia Boddeke and Peter Greenaway. How would you describe it?  continue reading