The 14th European Maccabi Games (EMG) are taking place in Berlin from 27 July until 5 August 2015. More than 2,000 Jewish athletes from 36 countries will compete in 19 sports from football to fencing to chess. To accompany the games Tamar Lewinsky and Theresia Ziehe are producing a series of portraits with interviews, introducing a new member of the German delegation from Berlin every day here on the blog. They conducted the interviews on the grounds of the TuS Maccabi in Berlin’s Grunewald where Stephan Pramme also shot the portraits.
Alex (25), table tennis
Alex (25), table tennis © Jewish Museum Berlin, photo: Stephan Pramme
Alex, why are you participating in the European Maccabi Games?
The first time I went to a Maccabi training course, I got a little closer to my own identity. I grew up in Goslar, a small town where we were the only Jewish family. That’s why the Maccabi program offered a kind of self-discovery, and I found something like a new family there: there was a lot of Russian spoken, which especially gave me a feeling of home because I can’t travel to Russia anymore. (I have duel citizenship so I could be drafted into military service there.) And of course the competition played a role since I was very achievement-minded at the time.
The EMG are taking place in part at a place heavy with symbolism: the Olympic grounds that were erected for the 1936 games, from which Jewish athletes were barred. Does it have a special significance for you that the EMG are happening in Berlin and in particular at the Olympic stadium? → continue reading
The author © David Ranan
For his book, “The shadows of the past are still long: Young Jews on their lives in Germany,” culture researcher, David Ranan, conducted interviews with Jews between 20-40 whose grandparents survived the Holocaust and then settled in Germany after the war. The London-based author will present his book at the Academy of the Jewish Museum Berlin on 7 July 2015, as part of the “New German Stories” series. In advance, we asked him three questions.
Julia Jürgens: Mr. Ranan, one question you asked your interviewees deals with the “packed luggage” the first and second generation seem to have at the ready, an expression of their inner conflict between being able to safely stay or having to again flee. Is there still this conflict within the third generation or how else would you describe its sense of belonging to Germany? → continue reading
Hadas Tapouchi © Katja Täubert
History cannot be captured in a single form. Not in brass, not in metal. That is what Hadas Tapouchi says. The Berlin-based Israeli artist believes that monuments and inscriptions miss the actual sense of commemoration. This type of remembrance would be an inevitable path towards forgetting.
Undoubtedly, Hadas works against forgetting. Upon our first meeting at her Tel Aviv apartment about four years ago, the artist’s rendered self-portrait in prisoner’s garb immediately jumped out at me. It was one of the precursors to her project, “The Third Generation“. A countless number of portraits since followed – portraits of mutual friends, the author himself, as well as young men and women between Berlin, Tel Aviv and Ramallah. → continue reading