Since the end of August visitors to the permanent exhibition have been able to purchase small artworks from an ‘art vending machine.’ The artworks have been created by Jewish artists living and working in Berlin.
Paper mezuzah with pull-out comic strip by Zara Verity Morris
© Jewish Museum Berlin, photo: Jens Ziehe
Today we present one of the artists: Zara Verity Morris from London. Morris is currently studying for her Masters degree at the “Institute for Art in Context,” at the Berlin University of the Arts. For the art vending machine she has created a comic strip called “The Mezuzah” on a pull-out paper scroll. (A mezuzah is a small case, which is attached to the door posts of Jewish households. Inside is a handwritten parchment scroll with the Hebrew prayer “Shema Yisrael” (“Hear O Israel”).
Christiane Bauer: Zara, can you for starters briefly explain to me why you produced this particular object for the art vending machine?
Zara Verity Morris: I found it an interesting challenge to play with the limited space of the art vending machine, and wanted to make something that could be unfolded once it has been taken out. The long paper roll was inspired by the formal connection between the Torah and a mezuzah.
When I was a young child, I found a few mezuzot in a drawer in varying conditions. A few had open cases. I was surprised to discover a paper scroll lying inside one of them with Hebrew writing on it. I was excited, and thought it was like a toy Torah. As a child, one of my favourite parts of being at a service at synagogue was the heavy Torah being ‘undressed’ by two people; getting its velvet cover and decorations taken off to reveal the plain paper scroll underneath. I decided to turn these childhood memories into a comic.
How does “The Mezuzah” fit into your previous work? → continue reading
What We Won’t Be Showing, after All
In a few days, indeed in a matter of hours, our special exhibition “A Time for Everything” will open to the public: a display of both sacred and profane objects presented in the context of “Rituals Against Forgetting.” Almost all the objects kindly loaned us have arrived by now, walls have been painted, texts written, showcases installed, and the complete English version of the exhibition webpage will be launched in a few minutes.
Yet much looks very different now, from how it was conceived and planned initially. Up to the very last minute, we had to juggle decisions as to what should be done, and how, and to drop certain ideas that proved infeasible. We are currently shooting the exhibition trailer and already have some scenes ‘in the can,’ namely those which struck us as most interesting and promising. Yet doubtless also some of those will land on the cutting-room floor however — as did this statement from Cilly Kugelmann on the exhibition title and the meaning of time:
The theme of time, or, to be more precise, the Jewish perspective on times, is the primary focus of our forthcoming issue of the JMB Journal, too. → continue reading
On 18 October, our next special exhibition “A Time for Everything: Rituals Against Forgetting” will open to the public. The exhibition met with great success at its previous venue in Munich. We therefore invited Bernhard Purin, director of the Jewish Museum Munich, to write a piece for our blog. He introduces us to an exhibit that is of relevance to this week’s holiday.
The Feast of Booths (“Sukkot” in Hebrew, from the word “sukkah,” meaning “tabernacle”) will be celebrated this year from 19–25 September. Along with Passover (Pesah) and Pentecost (Shavuot), it numbers among the three pilgrimage festivals, and commemorates the forty years Israelites spent wandering in the desert after the exodus from Egypt. The Third Book of Moses (23: 42–43) ordains:
“Ye shall dwell in booths seven days; all that are home-born in Israel shall dwell in booths; that your generations may know that I made the children of Israel to dwell in booths, when I brought them out of the land of Egypt: I am HaShem your G-d.”
Booths have been built ever since and their roofs covered with foliage, in keeping with this commandment. Rural Jews in Germany often erected such booths in the attic of their homes, and this tradition has been taken up at the Jewish Museum Franken in Fürth as well as at its Schwabach branch. Yet mobile booths which could be set up in the garden before the festival, then taken apart and packed away for the rest of the year, were also common. One booth of this kind survived in the village of Baisingen near Rottenburg am Neckar, where a large Jewish community once lived. → continue reading