What We Won’t Be Showing, after All
In a few days, indeed in a matter of hours, our special exhibition “A Time for Everything” will open to the public: a display of both sacred and profane objects presented in the context of “Rituals Against Forgetting.” Almost all the objects kindly loaned us have arrived by now, walls have been painted, texts written, showcases installed, and the complete English version of the exhibition webpage will be launched in a few minutes.
Yet much looks very different now, from how it was conceived and planned initially. Up to the very last minute, we had to juggle decisions as to what should be done, and how, and to drop certain ideas that proved infeasible. We are currently shooting the exhibition trailer and already have some scenes ‘in the can,’ namely those which struck us as most interesting and promising. Yet doubtless also some of those will land on the cutting-room floor however — as did this statement from Cilly Kugelmann on the exhibition title and the meaning of time:
The theme of time, or, to be more precise, the Jewish perspective on times, is the primary focus of our forthcoming issue of the JMB Journal, too. → continue reading
On 18 October, our next special exhibition “A Time for Everything: Rituals Against Forgetting” will open to the public. The exhibition met with great success at its previous venue in Munich. We therefore invited Bernhard Purin, director of the Jewish Museum Munich, to write a piece for our blog. He introduces us to an exhibit that is of relevance to this week’s holiday.
The Feast of Booths (“Sukkot” in Hebrew, from the word “sukkah,” meaning “tabernacle”) will be celebrated this year from 19–25 September. Along with Passover (Pesah) and Pentecost (Shavuot), it numbers among the three pilgrimage festivals, and commemorates the forty years Israelites spent wandering in the desert after the exodus from Egypt. The Third Book of Moses (23: 42–43) ordains:
“Ye shall dwell in booths seven days; all that are home-born in Israel shall dwell in booths; that your generations may know that I made the children of Israel to dwell in booths, when I brought them out of the land of Egypt: I am HaShem your G-d.”
Booths have been built ever since and their roofs covered with foliage, in keeping with this commandment. Rural Jews in Germany often erected such booths in the attic of their homes, and this tradition has been taken up at the Jewish Museum Franken in Fürth as well as at its Schwabach branch. Yet mobile booths which could be set up in the garden before the festival, then taken apart and packed away for the rest of the year, were also common. One booth of this kind survived in the village of Baisingen near Rottenburg am Neckar, where a large Jewish community once lived. → continue reading
Employees of the Jewish Museum Berlin respond:
“I like Rosh ha-Shanah, and new year festivities in general. I celebrate them all: birthdays, the High Holidays, and December 31st.” Naomi Lubrich, Media
The postcard is the only copy of a painting by Moritz Daniel Oppenheim from 1873, which was destroyed in London in 1939. © Jewish Museum Berlin, photo: Jens Ziehe
You will find more postcards from the past in our Online Showcase
“I usually use the time between Rosh ha-Shanah and Yom Kippur to figure out what’s not going so well in my life and what I want to change. I take some time to think about it and take stock.” Sarah Hiron, Education
“The High Holidays, like the Sabbath, are a chance to make time for my spiritual faith. For me they are special – holy – days. They encourage me to carry on traditions and become more aware. At the same though, they mean time off, and that means nightlife, having fun, and sleeping in.” Roland Schmidt, Host
“Although I live a secular life the rest of the year and don’t go to synagogue, Yom Kippur has a great spiritual significance for me. I fast, turn off music and disregard other forms of entertainment. Instead the day is defined by humility, contemplation, silence, and reflecting on nature. Since it’s not a joyful celebration with one central ritual, Yom Kippur is different every year, so I connect it with new and ever-changing personal experiences.” Roman Labunski, Education