When I first heard that the Jewish congregation of Pinneberg is giving “church asylum” to a Muslim, I had to chuckle. The article about it in the online magazine Migazin put the words “church asylum” in quotation marks and used a picture of the dome of the synagogue on Berlin’s Oranienburger Straße – making the linking together of the three monotheistic religions appear intentional.
But now I heard from a friend that there’s a film about the Kiddush asylum at the Pinneberg congregation for a man from the Sudan, and I had to wonder why “church asylum” isn’t “synagogue asylum”.
The Kiddush is a blessing spoken over a goblet of wine at the beginning of a holy day, in order to sanctify the day. Church asylum, as I learned from the film, is actually about a sacred room that protects people who are under threat. The Jewish congregation in Pinneberg has one such room. And it is encouraging to hear – as the head of the congregation explains in the film – why they are using this space to protect a person, at least temporarily, from persecution.
Rosa Fava, director of the “Diversity in Schools” project
Canan Turan with her grandmother
© Adriana Uribe
In our series of events “New German Stories” we present different perspectives on the immigration country Germany. That immigrants from Turkey, Vietnam, Poland, India and Cameroon and their descendants have stories to tell is nothing new—the novel twist is, that they present them here as German stories. On Tuesday, 8 July, director Canan Turan will be a guest of the Academy of the Jewish Museum. In her film KIYMET, she tells the story of her grandmother, who migrated to Berlin from Turkey in the early 70s. We asked Canan three questions about her project:
How did the idea to make a film about your grandmother Kıymet come about? → continue reading
Gems from our Collection
Harry Engel (1892-1950) with the FC Bayern Munich, Munich, September 1916
© Jewish Museum Berlin, donated by Alfred Engel, photo: Jens Ziehe
On 15 February 1940, after a four-year wait for an American visa then a successful escape from Nazi Germany, the Engel family, hitherto of Munich, reached the safe shores of Manhattan. In the family’s luggage was memorabilia that the then 13-year-old Alfred Engel was to donate to the Jewish Museum Berlin, decades later, from his father’s estate. It includes rare photographs from the 1910s, a time when Harry Engel (1892–1950) was an active soccer player at FC Bayern Munich. → continue reading