From the ceramic jug to the Pineapple Goblet: Working with archival items

photograph of the storage room of the Jewish Museum Berlin with an opened glass cabinet

View of Jewish Musem-Berlin storage,© Jewish Museum Berlin, photo: Jens Ziehe

It’s cold. The neon light casts a harsh glare. A gray cabinet stands next to another along white walls. The room feels sterile. The air conditioning hums. A gloomy place.

I put on blue, latex gloves, open one of the cabinets and take out a gray carton. Contours of an item shimmer from under layers of tissue paper. Carefully, I take the object out of the carton and free it from the paper; a microcosm of history presents itself, as if this gloomy place accentuates the aura of the item, the room itself taking a whole step back.  continue reading


Our “Diversity in Schools” Program: the Whys, Wherefores, and Lessons Learned

Coulerful tablet with sketches

A “graphic recording” of the ways in which schools and museums can cooperate more closely on diversity issues © JMB, photo: Jule Roehr

We learned a lot in the course of our three-year “Vielfalt in Schulen” [ViS] program, which the Jewish Museum Berlin [JMB] carried out in cooperation with the Deutsche Kinder- und Jugendstiftung [DKJS, German Foundation for Children and Young People], with funding courtesy of the Stiftung Mercator [Mercator Foundation]. Journalist Alke Wierth of the national daily paper, tageszeitung, recently helped us weigh up the results.

 

Alke Wierth: Looking back on what you had in mind when launching the “ViS” program, can you recall at which point you first thought: “Things are not going the way we planned?”

Rosa Fava, project leader, JMB: It was right at the start, at one of the meetings with the participating schools, where we discussed their expectations of the program. A lot of the stuff talked about there made me wonder: What on earth has this to do with our concept?

For example?
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“Osama bin Laden is sleeping with fishes”

New German Stories,” an event series launched in January 2014 as part of the Academy program, continues this evening, 10 March 2015, when Ahmad Milad Karimi, Professor of Islamic Philosophy and Mysticism at the University of Münster, presents his new book Osama bin Laden is sleeping with fishes (Osama bin Laden schläft bei den Fischen) at the Academy of the Jewish Museum Berlin. We put three questions to our guest, prior to the event.

Bookcover with two fish wrapped in a newspaper

Ahmad Milad Karimi: Osama bin Laden is sleeping with fishes (Bookcover) © Herder Publishers

Julia Jürgens: Dear Mr. Karimi, in your autobiography you bring together Western popular culture and the history of Islamic intellectualism, the translation of the Koran and your PhD thesis on Hegel, Persian mysticism and a penchant for mafia films. If I may make a question of your book’s subtitle: What does Marlon Brando have to do with the pleasure you take in being Muslim?

Ahmad Milad Karimi: That is a secret of the book, a secret concealed first and foremost by the fact that there is always more to people than the pigeonhole we like to keep them in.

Six years ago you published your new translation of the Koran. What motivated you to take up such a challenge and add a new translation to those already in existence?

The Koran is more than simply a book—it is  continue reading