Congratulations to the Refik-Veseli-School!

Graffiti lettes of the Theater, findet Refik"

A scene from the theater play, “Findet Refik!” © Lernkultur – Institut für Bildungsforschung und Evaluation, photo: Katharina Obens

The recently approved introduction of upper secondary level teaching at the RVS was a first for Kreuzberg 36, an inner-city district of Berlin, which is very popular. Now, local kids from the neighborhood called “Wrangelkiez” need no longer travel to other districts to study for the “Abitur,” Germany’s high school diploma. This is a major step towards assuring non-segregated educational opportunities in Kreuzberg

The 8th Integrated High School in the downtown district of Kreuzberg-Berlin sealed its partnership with the Jewish Museum Berlin in June 2012. Prior to that, all the staff and pupils had voted on a new name for their school and decided to call it the Refik-Veseli-School. For during a study trip to Israel, pupils had visited the Yad Vashem Museum and learned about the history of Refik Veseli—a man acknowledged being Righteous Among the Nations.

Refik Veseli was a 17-year-old apprentice in a photo studio in Tirana, Albania, when he first met the Jewish photographer Mosche Mandil, who had fled Yugoslavia to escape the National Socialists. But in 1943 the Germans invaded Albania too, and things became much more dangerous for Jews. The Veseli family owned a house in Kruje and decided to hide Mosche Mandil and his family there. It turned out to be a three-year commitment.  continue reading

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Art Against Forgetting

Young woman with a camera

Hadas Tapouchi © Katja Täubert

History cannot be captured in a single form. Not in brass, not in metal. That is what Hadas Tapouchi says. The Berlin-based Israeli artist believes that monuments and inscriptions miss the actual sense of commemoration. This type of remembrance would be an inevitable path towards forgetting.

Undoubtedly, Hadas works against forgetting. Upon our first meeting at her Tel Aviv apartment about four years ago, the artist’s rendered self-portrait in prisoner’s garb immediately jumped out at me. It was one of the precursors to her project, “The Third Generation“. A countless number of portraits since followed – portraits of mutual friends, the author himself, as well as young men and women between Berlin, Tel Aviv and Ramallah.  continue reading


Leo Prochownik

stamp-sized advertisements

Five stamp-sized advertisements for the company Otto Klausner GmbH, Berlin, ca. 1910-1914. Gift of Peter-Hannes Lehmann

Like every museum, we have some objects in our collection that are always on display for our visitors, some that we show from time to time in temporary exhibitions, and also some that we rarely show because they are more suited to research purposes. And then there are objects that we should have put on view long ago but they are still sitting, out of sight, in our warehouse. It affords a particular pleasure when such items finally get processed for our online database and put on display.

A collection that falls into this category is a set of graphics by Leo Prochownik (1875 – 1936)  continue reading