It’s cold. The neon light casts a harsh glare. A gray cabinet stands next to another along white walls. The room feels sterile. The air conditioning hums. A gloomy place.
I put on blue, latex gloves, open one of the cabinets and take out a gray carton. Contours of an item shimmer from under layers of tissue paper. Carefully, I take the object out of the carton and free it from the paper; a microcosm of history presents itself, as if this gloomy place accentuates the aura of the item, the room itself taking a whole step back. → continue reading
Pessach is approaching – the festival of exodus and freedom. This year, there is less talk of having the festive meal at large community gatherings. It is obvious, although unspoken, that smaller gatherings in the home make more sense. We are becoming alienated from our community centers through fear. Keep a low profile. Don’t speak Hebrew on the streets. Some people are removing the mezuzah from their front doorposts, a traditional object that visibly identifies a Jewish household. There is a mood of caution and nervous apprehension.
How did it get to this point?
Advertisement with Imam Ferid Heider and Rabbi Daniel Alter for the “Cycling Unites”-Critical-Mass-Tour in Berlin on 22 March 2015, photo: Michal Friedlander
A drunken man rolls slowly off the train platform and plops onto the tracks at Friedrichstrasse station. Around sixty people witness the moment and look away, hoping that someone else will solve the stinky, awkward problem. And so it was. An Italian and an Israeli jumped down to haul the semi-conscious man to safety. The passengers walked around the startled little group, pressing forward to make the oncoming train.
Dinner party small talk. The discussions nearest me are taking a more political turn and I am just not in the mood to talk about Israel. Too late. The young man next to me asks if I saw the recent pro-Palestinian demonstration on the Kurfürstendamm? He becomes very still and lowers his voice. → continue reading
Starting on May 22 the Jewish Museum Berlin will present the exhibition “Obedience” by filmmaker Peter Greenaway and multimedia artist Saskia Boddeke. Designed as an installation in fifteen rooms the exhibition refers to the story of forefather Abraham, who is willing to obey God’s command and sacrifice his son. The two artists use film projections, installations, precious objects, and sound effects and music to stage the biblical narrative as a sensuous and immersive showpiece. For Saskia the “beating heart” of “Obedience” is the film installation “I’m Isaac / I’m Ishmael” which will be presented at the beginning of the exhibition. Children and young adults from all over the world are now being invited to become part of this installation:
In order to encourage our readers to follow this call, make a video and send it to the artists “Blogerim” spoke with Saskia about the idea of the installation and her artistic vision.
Mirjam Wenzel: The biblical story in the Book of Genesis 22 starts with the voice of God telling Abraham to take his son to the land of Moriah for a burnt-offering. But your exhibition will start with the voice of Isaac and Ishmael. Why?→ continue reading