In a few days, indeed in a matter of hours, our special exhibition “A Time for Everything” will open to the public: a display of both sacred and profane objects presented in the context of “Rituals Against Forgetting.” Almost all the objects kindly loaned us have arrived by now, walls have been painted, texts written, showcases installed, and the complete English version of the exhibition webpage will be launched in a few minutes.
Yet much looks very different now, from how it was conceived and planned initially. Up to the very last minute, we had to juggle decisions as to what should be done, and how, and to drop certain ideas that proved infeasible. We are currently shooting the exhibition trailer and already have some scenes ‘in the can,’ namely those which struck us as most interesting and promising. Yet doubtless also some of those will land on the cutting-room floor however — as did this statement from Cilly Kugelmann on the exhibition title and the meaning of time:
The theme of time, or, to be more precise, the Jewish perspective on times, is the primary focus of our forthcoming issue of the JMB Journal, too. Continue reading
Students exhibition “TimeThings”
© Jewish Museum Berlin, photo: Ernst Fesseler
Some may ask themselves why, from May 29 to June 1 at the Jewish Museum Berlin, there was a little exhibition of students’ work that had nothing to do with ‘Jewish subjects.’ I would like to answer this question: since last summer, we have been working with three Berlin schools to reinforce positive ways to handle ‘diversity‘ as well as cultural heterogeneity. We advocate creative forms of work that offer the possibility for individual development. That is why we gave the schools an opportunity to conceive with their students of an exhibition that would actually be shown in the museum. As an open-ended, overarching theme we chose ‘Time,’ in order to leave the participants with a lot of latitude.
As the project leader I was only seldom directly involved in the implementation. I was thus surprised and impressed by the diversity of themes and objects on display. Two pieces struck me in particular and I would like to share their stories: Continue reading