New arrivals: artwork for the vending machine

The last few weeks have been full of hectic hustle and bustle, with boxes being passed from hand to hand, examined, unpacked, and sorted through. Such a variety of objects emerged from their cases and seemed to be disseminating in every direction through the museum.

Cards with blue printings

© Jewish Museum Berlin, photography: Gelia Eisert

Blue prints were spread out over a long, dark red sheet. Words seemed to glow in them – was it “tekhelet” or “argaman” or both? And what do they mean anyway?

"Magic" Card on a table in the kitchenette

© Jewish Museum Berlin, photography: Gelia Eisert

 

A “magic” card appeared in a kitchenette. Suddenly everything was kosher: the sink, the refrigerator, the dishes, the whole kitchen. The artist promised it would be, and thus it happened.  continue reading


“Clever Esther”— Not Suitable for Children?!

Purim is a family celebration, a time when children dress up, make a great din with rattles and gorge themselves on traditional Haman sweetmeats. By so much merriment it seems a little astonishing to recall that this religious holiday is actually rooted in a Bible story that is anything but happy and G-rated.

Male an female puppets in front of an blue screen

King Ahasuerus falls in love with Esther © photo: Shlomit Tulgan

The Book of Esther, which is read on Purim, tells of how the orphan girl Esther carries out a spectacular operation to rescue the Jewish people from the hands of King Ahasuerus, ruler of the Kingdom of Persia. The anonymous author recounts this story in the style of an epic poem and thereby suggests that God plays only a minor role in the proceedings. He turns the spotlight instead on the cunning with which clever Esther and her Uncle Mordechai manage to stop vizier Haman from realizing the pogrom he has planned against the Persian Jews.  continue reading


Photographs that peel away the masks – A conversation with Ruthe Zuntz

colour photograph with a portait of a young women

Portrait of Ruthe Zuntz © Ruthe Zuntz

Less than three months after our art vending machine was filled with another 1,400 commissioned art objects, it has sold out. Visitors to the museum might have pulled a picture by Ruthe Zuntz from the machine. Pieces from her “PHOTOMAT: Challenging WallMAT” series, as the photographer entitled her square Dibond aluminum prints which cover ten different motifs, could be sparkling in many new households – like Ruthe herself whom I recently met.

Ruthe, you’re actually known for large, space-filling installations. And yet, for the art vending machine you produced a series of small photo prints. How did that happen?

I found the project really exciting because it matches one of my basic philosophies:  continue reading