“I was never disengaged”

A Conversation with Rachel Heuberger on the Biblical Story of the Binding of Isaac and the Exhibition “Obedience”

An old man and a young man, a person dressed in white and a man dressed in dark colours with long red hair and a donkey, all moving on tarmac

Still from a film in the installation “Obedience”
© S. Boddeke & P. Greenaway, photo: Digidaan

The exhibition “Obedience. An Installation in 15 Rooms by Saskia Boddeke & Peter Greenaway” has been open for some time now at the Jewish Museum Berlin. As with every exhibition, this one meets the approval of our visitors to various degrees. Unlike other exhibitions however, the feedback – which often reaches us later – is different than what we might have anticipated. Indeed, this was the case with Dr. Rachel Heuberger, the curator of the Hebraica and Judaica collections at the University Library of Frankfurt. We spoke right after her visit about her thoughts and impressions.

Mirjam Wenzel: You just saw the exhibition “Obedience” by Saskia Boddeke and Peter Greenaway. How would you describe it?  continue reading

Energy galore: encountering Howard Katz

It always goes by so quickly: it feels as if the third round just started, of the art vending machine in the Jewish Museum Berlin’s permanent exhibition. But in fact it’s almost finished and sold out – 2,600 items since April! That’s certainly enough reason to pop by to visit Howard Katz and ask him some questions, especially considering that he was the first of the now 22 artists we’ve featured to use music…

Portrait of a man with guitar

Howard Katz © Yoann Trillu

Dagmar Ganßloser: Howard, you work as an artist in many different genres. You’re a dancer, performer, and choreographer, but you’re also an active visual artist, and on top of that a singer-songwriter. Right now the art vending machine has your “Mix Tape” as well as “4 short films”. How did you choose those?

Howard Katz: It was clear to me from the start that I wanted to present my music in the art vending machine. The 17 songs on “Mix Tape” came into being over the last twenty years plus and – the same as “4 short films” – they’re mainly about experiences I’ve had since I’ve lived in Berlin, so since the mid-1990s. The production was uncomplicated and I made the selection intuitively, from the heart. I made the four videos for my songs completely on my own, with my telephone – it was an opportunity to try out something new.  continue reading

New arrivals: artwork for the vending machine

The last few weeks have been full of hectic hustle and bustle, with boxes being passed from hand to hand, examined, unpacked, and sorted through. Such a variety of objects emerged from their cases and seemed to be disseminating in every direction through the museum.

Cards with blue printings

© Jewish Museum Berlin, photo: Gelia Eisert

Blue prints were spread out over a long, dark red sheet. Words seemed to glow in them – was it “tekhelet” or “argaman” or both? And what do they mean anyway?

"Magic" Card on a table in the kitchenette

© Jewish Museum Berlin, photo: Gelia Eisert


A “magic” card appeared in a kitchenette. Suddenly everything was kosher: the sink, the refrigerator, the dishes, the whole kitchen. The artist promised it would be, and thus it happened.  continue reading