From Wagner to the Weather

My Two Hours as a Living Exhibition Object in the Show “The Whole Truth

This was a truly extraordinary experience. The best moments were when the visitors started talking not just to me but to each other, and we wound up talking about Wagner and the weather rather than ‘just’ about growing up Jewish – or, more specifically, in my case as the daughter of a Jewish-American mother and a German, (formerly) Protestant father – in Germany and how odd it was to be sitting in a glass showcase in an exhibition.

A woman sitting on a bench in a vitreous showcase open at the front

Signe Rossbach in the exhibition “The Whole Truth”, April 8, 2013
© Jewish Museum Berlin, photo: Michal Friedlander

I was reminded of the moment in 1998 when I returned to Germany from the U.S. (although I did not want to see it that way at the time). The German publisher I was working for in New York had just been appointed State Minister of Culture by Gerhard Schröder, and I continued working for him in the Federal Chancellery, first in Bonn, then in Berlin. Back in New York, an editor at Henry Holt said to me: “Well, well, isn’t that a great job for a good little Jewish girl, working in the German government?” I thought about it, and said: “Exactly.”

So, I guess this was what brought me to sit in a glass showcase in a show at the Jewish Museum Berlin, where I have been working for twelve years now, on a seemingly quiet Monday afternoon. In my two hours of being a living exhibition object, I …  continue reading