“A living permanent exhibition that always offers something new”

Last round (for now) for the art vending machine

It is one of our museum’s little success stories: this year will see the art vending machine’s fifth (and, for now, last) tour of duty in the permanent exhibition. After five years “Art from the Vending Machine” will have sold over 12,250 works. Maren Krüger, curator of the permanent exhibition, explains its achievement thus: “We know that visitors enjoy taking something away with them, that they like surprises and are interested in the present time. In addition, we want a permanent exhibition that’s alive, that always offers something new. That’s how the concept emerged.”

Seven women in front of the art vending machine

The artists of the fifth round of the art vending machine; Jewish Museum Berlin, photo: Yves Sucksdorff

As with all projects that work well, a number of people were involved. First of all, there’s Christiane Bauer, our former colleague who supplied the idea. She was inspired by the art vending machines at the Kunsttick Agency, which can now be found all over Germany. In fact, while searching online for a suitable model, she came upon an old vending machine from the 70s that stood in a sports center in the Rhineland-Palatinate province. First though, it had to be transported to Berlin…  continue reading


The Dress of the Unfaithful Wife

Artist Andi Arnovitz Questions Traditional Matrimonial Law

A dress maide from Japanese paper, hair, dirt, film and threads

The Dress of the Unfaithful Wife by Andi LaVine Arnovitz, 2009; photo: Avshlom Avital

In our current exhibition, Cherchez la femme, a transparent dress seems to reveal everything. The Israeli-American artist Andi LaVine Arnovitz created a delicate work of art from washi paper, hair, and Hebrew letters. Locks of hair adorn the paper dress, hinting at the beauty of its wearer. But how to interpret the other components, the grime and coarse body hair?

The individually placed letters are the key to understanding this piece. They point to the biblical ritual described in the Torah, Numbers 5: 11–31, on which this work is based:  continue reading


Halftime for (the) GOLEM — What Do Our Visitors Have to Say?

A white room with drawings on the walls and a mirror in the center

View of a room of the exhibition GOLEM; Jewish Museum Berlin, photo: Yves Sucksdorff

Laura (23), Romania, architecture student

What is your impression of the exhibition?

The exhibition is fascinating and creepy at the same time. It makes you believe that the creatures displayed are real. Therefore, the atmosphere is very intense.

Which object or room has impressed you the most?

The room with the mirrors impressed me a lot. First, we were just playing around, which was fun. I could see myself and my friend in the mirror at the same time. But when I think of it now, it could be a metaphor for “looking beyond yourself.”

Do you know a sort of “Golem” from today?

As children, we have toys, dolls, and sometimes imaginary friends. We can talk to them and make them do what we want them to do.

Edgar (49), Germany, computer science

What was your impression of the exhibition?  continue reading