“One of these days I’m going to tell you everything”

Cover of the Graphic novel 'The Boxer'

Cover of the Graphic novel © Reinhard Kleist, The Boxer, Selfmadehero 2014

Several of us at the Jewish Museum Berlin have observed that, over the last few years, the market for young adult literature has begun to demonstrate a growing interest in the subject of Nazism and the Holocaust. In the coming weeks, we will be introducing contemporary and classic works on this topic that we have read and discussed together.

What happened to the people who survived the concentration camps – what was life like afterwards? For their families, their children, the survivors themselves?

Alan Scott Haft’s father Hertzko Haft was a vicious and violent man, the polar opposite of what we would consider today to be a “good father.” Many years passed before Alan Scott Haft understood – and he didn’t really want to know – why his father was that way.

At some point he learned a little more:  continue reading

Generation “kosher light”— On the Lifestyle of Young Jews of Russian Descent

Tomorrow evening, 9 September 2014, the cultural anthropologist Alina Gromova will present her book “Generation ‘kosher light’” (transcript Verlag 2013) in the Academy of the Jewish Museum Berlin. As in the case of the many other authors whose “New German Stories” we recently discussed, we put three questions to Ms. Gromova prior to her reading:

A woman with glasses, black clothes and long brown hair looks directly at the camera

Alina Gromova © Judith Metze

Alina, for your study of an international group of young Jews in Berlin you took the city itself as your springboard. Exploring the locations where your subjects live, hang out, mingle and party enabled you to chart their diverse notions of identity, tradition and religion. Why did you opt for such an explicitly spatial focus?

Identity and tradition are terms often difficult to grasp, because they are interwoven with symbols, values, wishful thinking or memories. A space, however, has not only a symbolic but also a physical dimension and is therefore more palpable. Personally, I don’t see a space as a 3-D void waiting to be filled by people or things. On the contrary, people and things are what create a space in the first place. And urban space is especially fascinating, I find, because a broad cultural and religious spectrum often occupies one and the same spot, however tiny; and different elements simultaneously give rise there to their own spaces, so the result is a palimpsest of spaces that then interconnect.

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“Now we’ll follow the intrepid path that Lassalle led us to!”

Dark Red Booktitle with golden letters

“Enthüllungen über das tragische Lebensende Lassalles” (An Exposé of the Tragic Death of Lassalle) by Bernhard Becker © Jewish Museum Berlin, photo: Leonore Maier

150 years ago today – on the last day of August, 1864 – Ferdinand Lassalle died as a result of injuries sustained in a duel. The German politician and journalist was a founder of the first workers’ organization in the country, the General German Workers’ Association, which had come into being the year before his death and is today still considered “the birthplace of social democracy”. Ferdinand Lassalle’s duel pistols were on display at the exhibition “150 Years of Social Democracy”, presented a year ago by the Moscow State Archive.

Both a politician and a charismatic agitator for the organization of workers, Lassalle was only 39 years old when he challenged Wilhelm von Dönniges to a duel because the latter had refused to grant Lassalle his daughter’s hand in marriage.

After his abrupt demise, a veritable cult of personality developed around his memory: there were poems, songs, even rituals carried out during the widespread commemoration ceremonies, as well as various pieces of memorabilia that circulated among his followers. The first book with “An Exposé of the Tragic Death of Lassalle” appeared in 1868, by one of his close political comrades.
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