“I was never disengaged”

A Conversation with Rachel Heuberger on the Biblical Story of the Binding of Isaac and the Exhibition “Obedience”

An old man and a young man, a person dressed in white and a man dressed in dark colours with long red hair and a donkey, all moving on tarmac

Still from a film in the installation “Obedience”
© S. Boddeke & P. Greenaway, photo: Digidaan

The exhibition “Obedience. An Installation in 15 Rooms by Saskia Boddeke & Peter Greenaway” has been open for some time now at the Jewish Museum Berlin. As with every exhibition, this one meets the approval of our visitors to various degrees. Unlike other exhibitions however, the feedback – which often reaches us later – is different than what we might have anticipated. Indeed, this was the case with Dr. Rachel Heuberger, the curator of the Hebraica and Judaica collections at the University Library of Frankfurt. We spoke right after her visit about her thoughts and impressions.

Mirjam Wenzel: You just saw the exhibition “Obedience” by Saskia Boddeke and Peter Greenaway. How would you describe it?  continue reading


Sparrows, 4 Euro, and the Stuff of a City

A Conversation with the Artists Maria und Natalia Petschatnikov

The end of May, as the first palpable rays of sun shone in Berlin, offered the perfect occasion for an outing to Berlin’s Kreuzberg neighborhood. There the artists Maria and Natalia Petschatnikov showed me their atelier and told me about “Sparrows” and “4 Euros,” the two objects they made for the Jewish Museum Berlin’s art vending machine. They also talked about their current projects and responded with good humor to all of my questions above and beyond the subject of art.

Twins on chairs in front of paintings on the wall

Maria (left) and Natalia Petschatnikov in front of part of their project “Berlin & Berlin”, 2015
© and photo by Michaela Roßberg

Michaela Roßberg: You work together and you’re twins – identical twins. What is it like to work so closely? How do you develop ideas and work on projects? And does one or the other of you start with an image of the finished work in mind?

Maria: We do a lot through dialogue. It isn’t that one of us has an idea and, once a project is finished, could say: “That was my idea.” Our work emerges from a joint process. For instance, we walk through the city and see interesting things that get us thinking. We talk about them, and together, start forming ideas.  continue reading


Escaping the Escape Points

A bearded man in front of large art works

Georg Sadowicz in his atelier
© Jewish Museum Berlin, photo: Kilian Gärtner

I’m meeting Georg Sadowicz in his atelier in Berlin-Hohenschönhausen. The Berlin-based artist was born in Liegnitz, Poland, on the German border. Since April, two of his pieces – precursors to larger work – have been made available to visitors as a limited run in the Jewish Museum Berlin’s art vending machine. They are titled, “The Cantor” and “The Mill.” Sadowicz’s atelier is a mere hundred meters from the grounds of a former Stasi detention center, now a memorial site. The sight of it troubles me, but the unease vanishes as soon as I step into Sadowicz’s atelier.  continue reading