Small, Yet Packs a Punch…

Or: How 300 Artifacts from our Collection Were Turned into a Cabinet Exhibition about the First World War

A spiked helmet in a showcase

Objects from our collections in the exhibition “The First World War in Jewish Memory”
© Jewish Museum Berlin, photo: Mariette Franz

Our exhibition “The First World War in Jewish Memory” opened last week. It is based primarily on collections donated to the Jewish Museum by German-Jewish families and each exhibit tells a very personal story.
In total, 176 exhibits were selected, researched and arranged as a visual narrative by eight curators, six restorers, two exhibition technicians, a translator and a graphic artist. So, even before I mention our numerous willing helpers in the wings, in particular the student assistants and the Museum caretaker, this sounds like a big team for a big exhibition. In fact, our joint endeavor culminated in a small cabinet exhibition relating to the First World War, which can be viewed until 16 November in the Rafael Roth Learning Center.  continue reading

Soccer & the First World War

Gems from our Collection

Photograph of a soccer team

Harry Engel (1892-1950) with the FC Bayern Munich, Munich, September 1916
© Jewish Museum Berlin, donated by Alfred Engel, photo: Jens Ziehe

On 15 February 1940, after a four-year wait for an American visa then a successful escape from Nazi Germany, the Engel family, hitherto of Munich, reached the safe shores of Manhattan. In the family’s luggage was memorabilia that the then 13-year-old Alfred Engel was to donate to the Jewish Museum Berlin, decades later, from his father’s estate. It includes rare photographs from the 1910s, a time when Harry Engel (1892–1950) was an active soccer player at FC Bayern Munich.  continue reading

In World War I

The Festival of Liberation at the Front

Yesterday evening, Monday, 14 April 2014, was the start of the eight-day Passover festivities. These kick off each year with the first Seder, the name of which derives from the Hebrew word seder, meaning order, because a particular ritual sequence is observed the entire evening.

The ritual Seder program is laid down in the Haggadah, an often beautifully illustrated book. (Incidentally, some especially precious Haggadot are currently on display in our special exhibition “The Creation of the World” and our director of archives recently described in his blog why even a nondescript Haggadah might be of great value to a museum.) Traditional texts and songs are recited from the Haggadah. Symbolic dishes and drinks deck the tables, ready to be consumed at specific moments during the evening.

Men in uniform occupy seats in a theater auditorium.

German soldiers celebrate Passover in the occupied town of Jelgava (near Riga). © Jewish Museum Berlin, photo: anonymous. Donated by Lore Emanuel

But why is this night different from all other nights? This is a question that Jews all over the world ask themselves year after year at the Seder dinner. The answer is: it is the festival of liberation, for it commemorates the Israelites’ exodus from slavery in ancient Egypt. Everyone is supposed to feel, each year, as if she or he personally is about to leave Egypt. As a token of tribute to this new-won freedom, people comfortably recline while eating and drinking—for to take this position was the prerogative solely of free individuals in antiquity, not of slaves.  continue reading