“Poster stamps?” A short pause, a puzzled look. “And… what are poster stamps?” This was more or less the reaction of every one of my friends and acquaintances when I told them these last months about ‘what I’m working on at the museum right now’. Namely, an exhibition on poster stamps.
Poster stamp from the publisher M. Fickel © Jewish Museum Berlin, photo: Jens Ziehe, gift of Peter-Hannes Lehmann
Poster stamps, I would answer, are small promotional pictures, a little bigger than stamps. They were used as advertisements for products and stores just about exactly a hundred years ago. Some of the stamps were designed by well-known artists like Lucian Bernhard and people would collect them, particularly children.
I didn’t know much more than that about these poster stamps before I started researching for our cabinet exhibition “Pictures Galore and Collecting Mania – Advertising in Miniature”. The show begins on 4. December, 2014 and lasts until 31. May, 2015 at the Rafael Roth Learning Center. To learn more about the relevance that the stamps had before World War I, I began reading contemporary advertising manuals and magazines.
At first I found relatively little on the subject, → continue reading
Carl Hartog (first from left) with two colleagues, Douai, January 1914 © Jewish Museum Berlin. Donated by Virginia Van Leer Dittrich
Visitors can see an album with photographs of places along the Western front in our cabinet exhibition “The First World War in Jewish Memory” for only another few days. The album is part of the bequest of a Berliner gynecologist Dr. Carl Hartog (1877-1931), having been given to the museum at the end of 2001 by Hartog’s granddaughter Virginia Van Leer Dittrich.
Born the son of a leather manufacturer in 1877 in Goch on the Lower Rhine, Carl Hartog studied medicine in Munich, Bonn, and Würzburg. He subsequently established a practice as an ob-gyn in Berlin but, having already done a half year of military service as a student, he stayed loyal to the military as a working professional. → continue reading
“Our inclination to hopefulness and expectations of a final victory are unabated and yet the long wait does at times begin to worry us.”
The cultural and literary historian Ludwig Geiger, son of the famous reformist rabbi Abraham Geiger, penned these lines to a friend on 5 December 1914. The “long wait” which had started to trouble him four months after the Great War broke out, ultimately dragged on for almost four more years and yet failed to bring the victory so yearned for. Soldiers at the time could barely imagine what massive destruction this first modern war would wreak. The paltry equipment with which they set off for the front is proof enough of that.
Dr Max Litthauer’s Pickelhaube (spiked helmet) with camouflage covering, 1914–1918. Donated by Bart Ullstein © Jewish Museum Berlin, photo: Jens Ziehe.
On display both in the exhibition “The First World War in Jewish Memory” at the Jewish Museum Berlin and in the special exhibition “1914–1918. The First World War” at the German Historical Museum (DHM) are Pickelhauben, spiked helmets made of hardened (boiled) leather and with a cloth covering for camouflage—for a metal spike protruding above a trench and catching the sunlight made its wearer a sitting target. On my guided tours of the two exhibitions, I take the Pickelhaube as an opportunity to talk about how much this war differed from previous ones as well as how ill-prepared the military was, initially, for the new weaponry deployed.
→ continue reading