Israelis in Germany – Ideological Debates and Changing Identities

Three Question for Anthropologists Dr. Dani Kranz and Katja Harbi

A man with woolen hat and warm jacket in front of a graffiti

Photo: Katja Harbi

Our Academy programs regularly introduce new scholarship examining contemporary issues of migration and diversity. On May 4, University of Wuppertal anthropologists Dr. Dani Kranz and Katja Harbi will be presenting the results of the study they conducted, entitled Israeli Migration to Germany since 1990, with a lecture and show of photographs at the Jewish Museum Berlin. The research was largely about these immigrants’ identities and the significance of the Shoah for their lives in Germany, as well as the political and ideological debates occurring around them in Israel and Germany. We put three questions to the two anthropologists in advance of their presentation:  continue reading


A Kind of Family Gathering – Bitter Herbs and Their Relatives in the Diaspora Garden

Yellow plate with foods made of clay and the inscriptions: “Pessah” in the center and all around the edge “Chazeret”, “Beitzah”, “Zeroa”, “Maror”, “Charoset”, and “Karpas”

Shlomit Tulgan made this Seder plate from clay for our children’s exhibition on Passover; Jewish Museum Berlin, photo: Jens Ziehe.

It’s Seder and the family is getting together. Some are traveling from farther away, others are flourishing right here. At the table are escarole, lettuce, parsley, kohlrabi, Belgian endive, and dandelion. But what about horseradish and red radish? They’re both late this year.

The story of the plants and their fruits that have particular meaning on the Seder plate at Passover could be told in various similar ways. They all grow in the Diaspora Garden, which you can visit inside the W. Michael Blumenthal Academy at the Jewish Museum.  continue reading


A great example of what Germany’s achieved in recent years: release him!

Photo of buildings in Berlin’s Kreuzberg-Mitte district

View from the Academy of the Jewish Museum Berlin towards the Springer building with the lit-up sign, #FreeDeniz; Jewish Museum Berlin, photo: Stefanie Haupt

As I leave my office at the Jewish Museum Berlin, emerging from the W. Michael Blumenthal Academy onto the street, the hashtag “#FreeDeniz” beams towards me from an illuminated black-on-turquoise-green display on the Axel Springer building. The first time I saw it, I was cheered by the signal that the publishing house Axel Springer SE* was calling for the release of Die Welt’s correspondent in Turkey, Deniz Yücel. But each day seeing the display has gotten sadder. I’ve known Deniz Yücel since 2003, when — together with other German- and Turkish-speaking Berliners — he organized bilingual protests against the bomb attacks on the two Istanbul synagogues, Neve Shalom and Beth Israel, on November 15 of that year. Twenty-four people were killed in those attacks and at least 300 wounded.

Deniz and I haven’t had contact for quite awhile. But since mid-February, through the news of his imprisonment for “terrorist propaganda” and the car procession protests that followed it, as well as conversations with friends and of course the illuminated sign, memories from the period in 2003 and 2004 when we interacted almost weekly having been coming back.  continue reading