Collecting as a way of life

an interview with René Braginsky

When did you start collecting and how many objects are there now in your collection?

René Braginsky: I started collecting books more than twenty years ago, after being unable to find an illustrated blessing for our son’s Bar Mitzvah celebration. We had to make do with a copy. For his wedding, however, we were able to reproduce a blessing from our own collection. As I slowly acquired a taste for collecting, I gradually bought more things, and of increasingly high quality, too, whenever possible. A good friend of mine, an elderly collector, encouraged me. The Judaica collection now comprises more than 700 pieces: books mainly, but also illustrated wedding contracts and Esther scrolls.

What motivates you to collect Hebrew manuscripts? Do you collect with a specific objective or mission in view?

Interior view of the special exhibition. A few book on blue painted slope wall

Interior view of the special exhibition “The Creation of the World. Illustrated Manuscripts from the Braginsky Collection” © Jewish Museum Berlin, photo: Martin Adam

Of interest for me, first and foremost, is the direct connection with Jewish history, with my view of Jewish history. The sheer variety of the illustrations fascinates me, too, and the regional and national influences one can see in them. Jewish books in Germany are primarily German books, just as Jewish books from Spain are primarily Spanish and those from Morocco Moroccan. Jews lived in diverse worlds, in a diaspora, and the illustrations in the books reflect this. And these old books so full of erudition bring me peace and make me confident, too, that whatever is really importantwill always survive. The mission, if there is one at all, is my conviction that one shouldn’t hide such treasures from the world, but rather share them freely. That is why we set up our websites (braginskycollection.com und braginskycollection.ch) , put two iPad apps online (Braginsky Collection und Braginsky Collection Berlin) and chose to exhibit a part of our collection in Berlin, currently for the fifth time around. Over the years, the exhibitions and online sources have enabled many tens of thousands of citizens from all over the world—both Jewish and non-Jewish—to share our enjoyment of the collection.

Do you believe the market for collectors of Judaica and Hebrew manuscripts has changed over the last few decades? Have you come across any counterfeiters or crooked dealers?  continue reading


Small, Yet Packs a Punch…

Or: How 300 Artifacts from our Collection Were Turned into a Cabinet Exhibition about the First World War

A spiked helmet in a showcase

Objects from our collections in the exhibition “The First World War in Jewish Memory”
© Jewish Museum Berlin, photo: Mariette Franz

Our exhibition “The First World War in Jewish Memory” opened last week. It is based primarily on collections donated to the Jewish Museum by German-Jewish families and each exhibit tells a very personal story.
In total, 176 exhibits were selected, researched and arranged as a visual narrative by eight curators, six restorers, two exhibition technicians, a translator and a graphic artist. So, even before I mention our numerous willing helpers in the wings, in particular the student assistants and the Museum caretaker, this sounds like a big team for a big exhibition. In fact, our joint endeavor culminated in a small cabinet exhibition relating to the First World War, which can be viewed until 16 November in the Rafael Roth Learning Center.  continue reading


Kıymet or: A Cinematic Tribute to My Grandmother

An elderly woman talks to a young woman

Canan Turan with her grandmother
© Adriana Uribe

In our series of events “New German Stories” we present different perspectives on the immigration country Germany. That immigrants from Turkey, Vietnam, Poland, India and Cameroon and their descendants have stories to tell is nothing new—the novel twist is, that they present them here as German stories. On Tuesday, 8 July, director Canan Turan will be a guest of the Academy of the Jewish Museum. In her film KIYMET, she tells the story of her grandmother, who migrated to Berlin from Turkey in the early 70s. We asked Canan three questions about her project:

How did the idea to make a film about your grandmother Kıymet come about?  continue reading