“We’re no longer guests, we belong.”

An interview with Elena Bashkirova

The color photograph shows Elena Bashkirova in a black blazer and a violet patterned scarf. In the background is the Jerusalem exhibition.

Elena Bashkirova; Jewish Museum Berlin, photo: Jule Roehr

On 21 April 2018, the Glass Courtyard of the Jewish Museum Berlin will be opened for the seventh annual chamber music festival intonations, featuring Händel’s “Arrival of the Queen of Sheba.” Echoing our exhibition Welcome to Jerusalem, this year’s program features pieces that highlight the sanctity of Jerusalem. Elena Bashkirova, artistic director of the festival, took a tour of the exhibition then spoke with us about the “holy city,” the founding of intonations in Berlin, and the music that will be presented in the festival in the coming days:  continue reading


Musical Discoveries and a Family of Artists between Jerusalem and Berlin

An Interview with Elena Bashkirova

From 7 to 11 May, we will host a chamber music festival in the museum’s Glass Courtyard. Katharina Schmidt-Narischkin and Sylvia Winkler of our press office spoke in advance with the festival’s director Elena Bashkirova.

Press office JMB: As festival director, what themes have you chosen to emphasize this year?

A laughing woman sitting at a piano

Elena Bashkirova, festival director and pianist
© Monika Rittershaus

Elena Bashkirova: Our themes have been determined this year by two anniversaries: on the one hand, the start of the First World War 100 years ago and its impact on music; on the other hand, the 150th birthday of Richard Strauss. Both anniversaries augur a varied program for “intonations”: 1914 saw an astonishing richness of musical styles, which our concerts will reflect. And Strauss composed chamber music nearly his entire life, so I have a wide range of pieces and genres to choose from.

Every year at “intonations,” chamber music classics can be heard together with unknown works. What composers should visitors expect to discover in this third season?

portrait David Coleman

David Robert Coleman, composer and conductor © private

Rudi Stephan was an extraordinary discovery for me. I heard Music for Orchestra and Violin a few years ago here in Berlin. I was impressed and deeply touched by it. As I was putting together the programs for “intonations,” I found his gorgeous chamber music and was delighted to have the chance to present it here with my colleagues. Rudi Stephan died in the war when he was 28. Given his talent, he would otherwise have certainly provided us with more outstanding music.

There will also be another world premiere: the fourth concert, on Saturday 10 May, will open with David Coleman’s “Three pieces for clarinet and piano.” Another significant composer this year will be Karol Szymanowski. He has his own tonal language, writing hauntingly beautiful music that unfortunately is played much too seldom.  continue reading


Question of the Month:
“What role do gender themes play?”

“What’s the story with women rabbis? (And prayer at the Western Wall?)”

Post-it note: "What role do gender themes play? What’s the story with women rabbis? (And prayer at the Western Wall?)"

The question of the month in the special exhibition “The Whole Truth”
© Jewish Museum Berlin, photo: Anina Falasca

Our special exhibition “The Whole Truth… everything you always wanted to know about Jews” is based on 30 questions posed to the Jewish Museum Berlin or its staff over the past few years. In the exhibition, visitors have their own opportunity to ask questions or to leave comments on post-it notes. We answer some of these questions here in our blog.

The question about the roles of men and women in Judaism is interesting because traditional notions about these roles have changed dramatically over the course of the last century. As in every religion, there are also many opinions about this issue among Jews. These correspond with the tendencies of orthodox, conservative, or liberal currents in Judaism, which – while they grapple with the same questions – come to quite different conclusions.  continue reading