Welcome to Jerusalem

Our Major Themed Exhibition

The Jerusalem cityscape; by  Berthold Werner (Own work) [Public domain], via Wikimedia Commons

Exhibition Welcome to Jerusalem

Synagogues, churches, and mosques shape our image of Jerusalem. The »Holy City« is an important center of faith for Jews, Christians, and Muslims from all over the world. Simultaneously, Jerusalem is home to extraordinary political tensions, claimed as the capital city by both Israelis and Palestinians.

11 December 2017 – 30 April 2019

Old Building, level 1

Lindenstraße 9–14, 10969 Berlin

From the age of the second temple to the Roman conquest, from Ottoman rule and the British mandate until the present day, the exhibition Welcome to Jerusalem investigates the history of a city where daily life, religion, and politics are inextricably interwoven. It includes precious objects and models that are on display for the first time in Berlin. They are complemented by media installations developed especially for the exhibition.

Works by Yael Bartana, Mona Hatoum, Gustav Metzger, Fazal Sheikh and other international artists respond to historical events and political standpoints. Interviews from the documentary 24h Jerusalem introduce visitors to a city that is remarkable and vibrant in every respect. Welcome to Jerusalem!

The Exhibition’s Themes – a Selection

We obviously don’t want to reveal everything before your visit. But here’s an overview of selected themes of the exhibition:

Each of the three monotheistic religions built monumental structures in Jerusalem that are revered as holy sites.

In the Jewish tradition, the primal events of the Bible - such as the covenant that God made with Abraham and his descendants - are thought to have occurred on the hill where the Temple would later stand. The Temple Mount is thus a site of God's eternal presence, a place where history will end and creation will be perfected.
Christians venerate the place of Christ's crucifixion and resurrection, now covered by the Church of the Holy Sepulchre, known to Orthodox Christians as the Church of the Resurrection.

The holy Muslim buildings are the Dome of the Rock, Islam's oldest shrine, and the Al-Aqsa Mosque, its third most important house of prayer. Together, these form the precinct of Haram esh-Sharif, or "Noble Sanctuary," which many Muslims regard as a single sacred unity.

Jerusalem has been a major arena of the Middle East conflict for almost a century. Irreconcilable claims of Jews and Arabs to have their own state in Palestine led increasingly to conflicts between the two groups.

In 1947 the United Nations suggested partitioning the country, but this was not recognized by the Arab countries. During the subsequent war roughly half of the Palestinian population either fled or was driven out of the country. On May 14, 1948, Israel declared its independence and Jerusalem was divided up between Israel and Jordan.

In 1967, Israel took over also the eastern part of the city. Jerusalem then had a unified administration, but the Palestinian residents were not recognized as Israeli citizens, receiving only a residence permit for the city. Hopes for an end to the conflict have thus far been unsuccessful. The Peace Process in the 1990s failed primarily due to the issue of Jerusalem's political future.

Jerusalem is a city where frictions arise not only between different religions, but also between different, often contradictory, interpretations within these religions. The exhibition examines three Jewish groups as examples: the ultra-Orthodox Jews who reject certain aspects of the modern state of Israel as sacrilegious, the Women of the Wall, who want to establish a practice of egalitarian prayer at the Wailing Wall, and, finally, the Temple movements, some of which aim to build a third Jewish Temple on the Temple Mount. Their different demands and expectations have led to minor and major conflicts with other groups, denominations, and the Israeli state.

The exhibition expands its view of Jerusalem with works of contemporary artists.

This theme has been dealt with by artists of various backgrounds and spanning several generations. The earliest works date from the late 1990s, a time influenced by the Oslo Accords.

During this period, Mona Hatoum created Present Tense for a gallery in Jerusalem, in which she takes up the re-mapping of Palestine. Only a short time later, Gustav Metzger, founder of auto-destructive art, created Jerusalem, Jerusalem, a challenge to perceive historical events in a nuanced manner. The five portraits and landscapes in the Memory Trace series by Fazal Sheikh created a memory landscape of Jerusalem's periphery that has great suggestive force. The Vest of Prayers created by Andi LaVine Arnovitz was recently made, especially for the exhibition. Rounding out this section is Wolfgang Strassl's photo series on the settlement landscape around Jerusalem.

Nowhere else in the world does the density of houses of worship seem greater, nor the division of the population deeper. Although Jerusalem has had a unified administration since 1967, Jewish Israelis and Arab Palestinians live largely separate, either in the western or eastern part of the city. Almost half of the city's inhabitants have an income below the poverty level, including many Palestinians and ultra-orthodox Jews. But Jerusalem is much more than just conflict.

The real-time documentary 24h Jerusalem, by Volker Heise and Thomas Kufus, explores the everyday life of ninety Jerusalem residents who were filmed over the course of a single day. With the help of seventy camera teams, Israeli and Palestinian filmmakers, as well as documentary and feature film directors from Germany, an extensive work emerged that impressively reflects the city's diverse social fabric.

In order to capture the wide variety of moods, director Volker Heise let Palestinians and Israelis talk without commenting or offering judgments on the footage. The result is a kaleidoscope of biographical insights.

The starting point of Yael Bartana's installation Inferno (2013) is the construction of the third Temple of Solomon in São Paulo by the Universal Church of the Kingdom of God, a Brazilian Neo-Pentecostal Church. Built to biblical specifications, this new temple is a replica of the First Temple in Jerusalem, the violent destruction of which signaled the diaspora of the Jewish people. Inferno confronts this conflation of place, history, and belief, providing insight into the complex realities of Latin America that have given rise to the temple project. Bartana’s film employs what she refers to as »historical pre enactment,« a methodology that commingles fact and fiction, prophesy and history. Using a powerful cinematic language, Inferno collapses histories of antiquity in the Middle East with a surreal present unfolding halfway around the world.

Jerusalem makes its presence felt in Berlin as well. The names of many Berlin churches allude to Jerusalem, whether Golgotha, the Holy Cross, Zion, or Gethsemane. Most of these churches were built in the nineteenth century, when public interest in the Holy Land was growing. The missionary idea was promoted at the highest level and was received enthusiastically in Berlin society. The Lutheran Jerusalem Association, founded in that period, is still active today.

But Jerusalem's roots in Berlin are deeper still. The history of the Jerusalem Church and of the district of Tempelhof ("Temple Court") goes back to the Crusades. There are also more recent references to the holy city: the residential complex New Jerusalem, the Bethany cultural center, the Golgotha beer garden. Academically, close links have been forged between the Free University Berlin and Jerusalem's Hebrew University.

Aside from Christian Jerusalem, the Dome of the Rock and the Al-Aqsa Mosque are constant companions for those Berliners who came here from Palestine. Especially in the Neukölln district, images of these sites adorn wall hangings, key rings, scarves, and posters in stores, cafés, snack bars, and private homes.

Supported by the Federal Government Commissioner for Culture and the Media.

Federal Government Commissioner for Culture and the Media (Logo)

With the kind support of LOTTO-Stiftung Berlin.

LOTTO-Stiftung Berlin (Logo)

The program accompanying the exhibition is supported by Siemens AG.

Media partners

WALL, arte, INFOradio, Yorck Kinogruppe, zitty, tip Berlin

Exhibition Information at a Glance

  • When

    11 December 2017 – 30 April 2019

  • Entry fee

    with the museum ticket (8 euros, reduced rate 3 euros)

  • Where

    Old Building, level 1
    Lindenstraße 9-14, 10969 Berlin See Location on Map


Old Building, level 1

Lindenstraße 9–14, 10969 Berlin

Events Accompanying the Exhibition (6) Welcome to Jerusalem Show all

Welcome to Jerusalem

Readings, movies, lectures – events for adults, kids, and families during our exhibition Welcome to Jerusalem

Rechavia – Grunewald in the Orient

28 February 2018, 7 pm:
Reading with Thomas Sparr on German-Jewish Jerusalem

Jerusalem in Conflict

17 March 2018, 11 am:
Public tour for adults on the political conflicts in and around the city of Jerusalem (in German)

Montagskino: Jerusalem for Cowards

19 February 2018, 7 pm:
Film screening and discussion

6 pm:
Brief tour of the exhibition for Monday Movie visitors

Who is carrying the Menorah?

8 February 2018, 6 pm:
Talk by Steven Fine on Jewish Counter-Histories of the Arch of Titus Spoils Panel

Three Loaves and One Hallelujah

Thursday 8 February 2018, 11 am
For children aged 7 to 10 during the Berlin school holidays

Concert: A Prelude to the New Exhibition

6 December 2017, 8 pm:
Jordi Savall with the Hespèrion Ensemble XXI and the Capella Reial de Catalunya

Tours and Workshops Accompanying the Exhibition (12) Program for Schools Show all

Program for Schools

Here you can find all the tours and workshops for schools that accompany the exhibition Welcome to Jerusalem (11 December 2017 to 30 April 2019).

Jerusalem of Stone (ages 10-19)

Guided tour for students aged 10-19 on the cultural history of Jerusalem's walls

Jerusalem of Stone (ages 10-11)

Guided tour on the cultural history of Jerusalem's walls, for children aged 10-11

Sacred Jerusalem

Guided tour on Jerusalem's religious significance, for children aged 6-11

Sacred Jerusalem

Guided tour on Jerusalem's religious significance, for students aged 10-19

Three Loaves and One Hallelujah

Tour and baking workshop, for children aged 6-11

Three Loaves and One Hallelujah

Tour and baking workshop, for students aged 10-14

Historic Jerusalem

Tour for students aged 10 to 19 about the major Jerusalem exhibition

The Crazy Crooked House

Workshop for School Groups (Ages 6-11) on Libeskind's Architecture

Historic Jerusalem

Guided tour on Jerusalem's historical development, for children aged 10-11

Jerusalem: A Bibliodrama Approach

Workshop for school groups about Jerusalem and the Holy Scriptures, for students aged 14-19

Jerusalem in Conflict

Tour for students aged 14 to 19 about the major Jerusalem exhibition

German Jews during the National Socialist Era

Tour for Students aged 14-19 about the major Jerusalem exhibition

Tours (6) Tours for Adults Show all

Tours for Adults

You can book the following tours as a group, a family, a pair, or as an individual.

Sacred Jerusalem

Guided Tour for Adults on Jerusalem's Religious Significance

Historic Jerusalem

Guided Tour for Adults on the History of Jerusalem

Jerusalem of Stone

Guided Tour for Adults on the Cultural History of Jerusalem's Walls

Jerusalem in Conflict

Tour for Adults on the Political Conflicts in and around the City of Jerusalem

German Jews during the National Socialist Era

Tour for Adults in the Axes of the Libeskind Building

Through Architectural Eyes

Tour for Adults Exploring the Architecture of the Libeskind Building


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Middle East Conflict

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