M.O.O.N. – My Opposite of Now
Talk to M.O.O.N. About Your Opposite of Now
For our anniversary exhibition, The Opposite of Now: Artistic Paths to a Different Present, we have developed M.O.O.N., an AI-powered media application. “M.O.O.N. – My Opposite of Now” helps you explore what your own opposite of now might be. Let the AI chatbot focus and develop your thoughts. At the end, you’ll have a text to take away and share. What do you think?
Chat with M.O.O.N.
If you don't see a full-screen icon on your device, use this full-screen link.
Too complex in English? Auf Deutsch auch zu schwierig?
Tap the yellow “EN” or “DE” button at the top to switch to English or German. Choose one of the three yellow entry points. As soon as a message box appears, you can speak or write in any other language. M.O.O.N. will adapt to your language.
Español
Elige una de las tres opciones amarillas. En cuanto aparezca un cuadro de texto, podrás hablar o escribir también en español. M.O.O.N. se adaptará.
Français
Choisis l’une des trois entrées jaunes. Dès qu’une fenêtre de message s’affiche, tu peux parler ou écrire en français. M.O.O.N. s’adaptera automatiquement.
Italiano
Scegli uno dei tre accessi gialli. Non appena compare una casella di messaggio, puoi parlare o scrivere anche in italiano. M.O.O.N. si adatterà automaticamente.
Iwrith
בחר באחת משלוש הכניסות הצהובות. ברגע שיופיע חלון הודעה, תוכל לדבר או לכתוב בעברית.
.M.O.O.N יתאים את עצמו אוטומטית.
Nederlands
Kies een van de drie gele toegangen. Zodra er een berichtveld verschijnt, kun je ook in het Nederlands praten of schrijven. M.O.O.N. past zich aan.
Russisch
Выбери один из трёх жёлтых входов. Как только появится окно сообщения, ты сможешь говорить или писать по-русски. M.O.O.N. автоматически адаптируется.
Ukrainisch
Обери один із трьох жовтих входів. Як тільки з’явиться вікно повідомлення, спілкуйся або пиши українською мовою.
Once you’ve tried the app, we’d love to hear your feedback!
Shared Results
Other visitors to the exhibition have also chatted with M.O.O.N. You can see the texts that came out of those conversations here:
Background Information on M.O.O.N.
M.O.O.N. is a Jewish Museum Berlin project created for the exhibition The Opposite of Now. Technical implementation by www.nousdigital.net.
Why AI in the Exhibition?
The exhibition aims to encourage people to counter an often troubling present with visions of their own. If the point is to think for ourselves, what’s the point of AI? Wouldn’t the opposite of now actually be no AI at all?
Rather than longing for a time without AI, we set out to think about and experiment with AI differently, outside the familiar patterns: not as a means of conveying knowledge or as an information tool, but as a creative medium for the imagination. The interaction produces an unexpected kind of text.
Our AI application isn’t an answer machine that does the thinking for you. Instead, it is designed as a tool for reflection and a sparring partner that can open up new ways of thinking. The balance between serious reflection and playful absurdity is intended to create a space where you dare to think in radically different ways.
Neither the artworks in the exhibition nor this AI application provide a ready-made guide for this. Instead, they create spaces where you can discover for yourself what it means to think differently, see differently, and act differently. Will it work? Will it make a difference that matters to you – enough, for example, to justify the electricity used by this AI application? In the end, only you can decide.
Interacting with our AI is not a substitute for talking with those around you. On the contrary: why not talk to others about your experience chatting with M.O.O.N. and the result it created for you? Or take a look at the results shared by others.
At the end of the exhibition, we plan to analyze the shared texts: What are the similarities? What hopes, fears, and longings recur?
Technical Background
M.O.O.N. combines a language model with selected exhibition content. This process is called retrieval-augmented generation (RAG): the European large language model (LLM) Mistral Medium 3.5 was combined with a curated collection of texts on the artworks, including curatorial essays and philosophical texts related to the exhibition (see bibliography below). This keeps the AI’s responses closely focused on the exhibition.
During development, we also extensively tested guardrails designed to prevent the generation of anti-Semitic and other hateful content.
How does the conversation work?
Visitors interact through a web-based chatbot interface, using either voice input or the keyboard. Prompts structure the conversations into five phases: opening up, focusing, disrupting, shifting perspective, finding a form. An initial system prompt also sets the tone for the AI, for example: “You are smart, concise, slightly tongue-in-cheek, surprising, never patronizing, never cynical. You tend to ask questions rather than give long explanations.” We are making the source code and the prompts used available on our GitHub account.
As it interacts with visitors, the AI identifies patterns such as recurring themes, imagery, and turns of phrase. M.O.O.N. uses these patterns to generate a personalized text. A random generator selects one of 26 predefined formats, such as a screenplay, manifesto, or dictionary entry.
Visitors can access the tool in the exhibition at a media station or on their own smartphones. It is designed to be accessible. The language models provide multilingual support for the dialog.
Are chats stored?
The system was developed in line with the principles of privacy by design: chat data is not stored beyond your browser session. Generated texts are saved only if you explicitly consent to their publication by clicking the “Share” button. Posts are anonymous and identified only by the date and time. Chat histories are not used to train any LLM. More detailed information on data processing and privacy can be found below in our Privacy Policy.
Can AI make mistakes?
Despite its curated knowledge base and tested safeguards, M.O.O.N. may still provide inaccurate or inappropriate answers. Our system also relies on an LLM whose training data may encode certain biases. If you encounter inappropriate or offensive content, please report it so we can refine the knowledge base and/or guardrails.
Curated AI Knowledge Base
The AI application operates as a closed system. Alongside the museum’s own exhibition materials, such as the curators’ concept, object labels, artwork descriptions and floor plan, and publicly available information, such as Wikipedia articles about the artists, it draws on the following texts:
- Alechem, Schalom, Die erste jüdische Republik, translated into German by Stefania Goldenring, Berlin 1919.
- Arns, Inke: The Big Ear; or, How to Hack the “Doomsday Radio Station”, in: Julia Friedrich/Shelley Harten (ed.), The Opposite of Now: Artistic Paths to a Different Present, Munich 2026, p. 226–229.
- Benjamin, Walter, Über den Begriff der Geschichte (On the Concept of History), 1940.
- Bloch, Ernst/Adorno, Theodor W.: Etwas fehlt ... Über die Widersprüche der utopischen Sehnsucht, in: Rainer Traub/Harald Wiesner (Hg.): Gespräche mit Ernst Bloch, Frankfurt 1975, p. 58–77.
- Bloch, Ernst: Excerpts from the Foreword, in Ernst Bloch: Das Prinzip Hoffnung (The Principle of Hope), Frankfurt 1959, p. 11–12 and p. 15.
- Diederichsen, Diedrich: On the Far Side of Ninety, on the Far Side of the Solar System, in: Julia Friedrich/Shelley Harten (ed.), The Opposite of Now: Artistic Paths to a Different Present, Munich 2026, p. 101–104.
- Edelsztein, Sergio: Circular Time, in: Julia Friedrich/Shelley Harten (ed.), The Opposite of Now: Artistic Paths to a Different Present, Munich 2026, p. 184–186.
- Einstein, Albert, Mein Glaubensbekenntnis (My Credo), 1932.
- Forsythe, William: Undoing, in: Julia Friedrich/Shelley Harten (ed.), The Opposite of Now: Artistic Paths to a Different Present, Munich 2026, p. 112.
- Friedrich, Julia: Connected Along Sharp Edges, in: Julia Friedrich/Shelley Harten (ed.), The Opposite of Now: Artistic Paths to a Different Present, Munich 2026, p. 264–267.
- Friedrich, Julia/Harten, Shelley: Introduction, in: Julia Friedrich/Shelley Harten (ed.), The Opposite of Now: Artistic Paths to a Different Present, Munich 2026, p. 28–38.
- Harten, Shelley: The Opposite of Now Is Here: Thoughts on Location, in: Julia Friedrich/Shelley Harten (ed.), The Opposite of Now: Artistic Paths to a Different Present, Munich 2026, p. 82–89.
- Kavelina Dana/David Riff: Undoing the Damage, in: Julia Friedrich/Shelley Harten (ed.), The Opposite of Now: Artistic Paths to a Different Present, Munich 2026, p. 122–127.
- Kluge, Alexander: How Walter Benjamin Explained the Weak Messianic Power to Bertolt Brecht, in: Julia Friedrich/Shelley Harten (ed.), The Opposite of Now: Artistic Paths to a Different Present, Munich 2026, p. 155.
- Kramer, Mario: Productive Powers, in: Julia Friedrich/Shelley Harten (ed.), The Opposite of Now: Artistic Paths to a Different Present, Munich 2026, p. 114–116.
- Lapidot, Elad: Sparks of Return, in: Julia Friedrich/Shelley Harten (ed.), The Opposite of Now: Artistic Paths to a Different Present, Munich 2026, p. 70–81.
- Menke, Christoph: Yes, but ..., in: Julia Friedrich/Shelley Harten (ed.), The Opposite of Now: Artistic Paths to a Different Present, Munich 2026, p. 172–175.
- Seroussi, Benjamin: Yael Bartana’s Factory of Worlds, in: Julia Friedrich/Shelley Harten (ed.), The Opposite of Now: Artistic Paths to a Different Present, Munich 2026, p. 196–199.
- Sheleff, Maayan: A Polyphonic Anthem for a Fragmented Utopia, in: Julia Friedrich/Shelley Harten (ed.), The Opposite of Now: Artistic Paths to a Different Present, Munich 2026, p. 140–143.
- Vogl, Joseph: Unlocking the Closedness of the Past, in: Julia Friedrich/Shelley Harten (ed.), The Opposite of Now: Artistic Paths to a Different Present, Munich 2026, p. 156–158.
- Wajsbrot, Cécile: “In-Between”, in: Julia Friedrich/Shelley Harten (ed.), The Opposite of Now: Artistic Paths to a Different Present, Munich 2026, p. 248–250.
- Zamenhof, Ludwik Lejzer, La Espero, 1980, available online at https://de.wikipedia.org/wiki/La_Espero.
Privacy Policy
This Privacy Notice explains how personal data is processed in connection with the use of an interactive, web-based AI-powered application provided by the Jewish Museum Berlin Foundation. The application can be accessed at a media station in the exhibition The Opposite of Now and via the website of the Jewish Museum Berlin: www.jmberlin.de/moon.
Last updated: August 2026
Contents
- Controller
- Data Protection Officer
- General Information on Data Processing
- Categories of Data Processed
- Purpose of Processing
- Legal Bases for Processing
- Processing of Chat Content
- Publication of Content
- Use of the AI Model
- Hosting
- Recipients of Personal Data
- Transfers to Third Countries
- Data Retention
- Access Rights
- Data Subject Rights
- Right to Lodge a Complaint
- Automated Decision-Making
- Data Security
- Changes to this Privacy Notice
Controller
The controller within the meaning of the General Data Protection Regulation (GDPR) is:
Stiftung Jüdisches Museum Berlin
Lindenstraße 9-14
10969 Berlin
Germany
Represented by its Director, Hetty Berg
info@jmberlin.de
T +49 (0)30 259 93 300
Data Protection Officer
We have appointed a Data Protection Officer:
dacuro GmbH
Heinrich-Hertz-Straße 11
69190 Walldorf
Germany
Email: datenschutz.extern@jmberlin.de
Website: https://www.dacuro.de/
General Information on Data Processing
The protection of personal data is important to us. We process personal data exclusively in accordance with applicable data protection laws, in particular the General Data Protection Regulation (GDPR).
The application is provided as a web-based service. Personal data is processed only to the extent necessary for operating the application and providing its functionalities or where the user has expressly consented to further processing.
We do not actively collect personal details such as names, postal addresses, telephone numbers, or email addresses. However, users may voluntarily provide personal information within their conversations. Such information may be processed and stored as part of the conversation history as further described below.
Categories of Data Processed
Depending on how the application is used, the following categories of data may be processed:
- Text inputs and prompts entered by users
- Responses generated by the AI system
- Date and time of use
- Technical connection data
- IP address
- Browser type
- Operating system
- Log data (server log files)
Purpose of Processing
Personal data is processed solely for the following purposes:
- Providing the AI application
- Processing user inputs to generate responses
- Ensuring technical security and system stability
- Error analysis and misuse detection
- Publishing content shared by users
- Complying with legal obligations
User inputs are not used for advertising purposes.
Legal Bases for Processing
Processing is carried out in particular on the basis of:
- Article 6(1)(b) GDPR (performance of a contract or provision of the application service)
- Article 6(1)(f) GDPR (legitimate interests in security, error analysis, and protection against misuse)
- Article 6(1)(a) GDPR (consent), where content is published or where processing is not necessary for the use of the application
Any consent given may be withdrawn at any time with effect for the future.
Processing of Chat Content
As part of the use of the application, user inputs and AI-generated responses are processed to the extent technically necessary.
Chat histories are stored only within the browser session of the device being used and, depending on the user's browser settings, are generally deleted when the browser tab is closed.
The operator and the museum do not permanently store chat histories.
AI-generated text results are retained beyond the current session only if users choose to share them.
Chat histories and their contents are not used to train or improve AI models.
Publication of Content
Users may voluntarily share AI-generated content and thereby publish it on a website accessible through the Jewish Museum Berlin website at: www.jmberlin.de/en/moon#results
Published content is stored for twelve months and remains publicly accessible during that period unless the user's consent is withdrawn.
The legal basis for this processing is consent pursuant to Article 6(1)(a) GDPR.
After the twelve-month retention period, the content is deleted or anonymised unless legal retention obligations or overriding legitimate interests require otherwise.
Thereafter, a selection of text examples may be published permanently on the Jewish Museum Berlin website for the purpose of documenting the exhibition and the AI application.
Use of the AI Model
A generative AI model is used to process user inputs.
The primary model used is Mistral Medium 3.5, provided by Mistral AI. If this model becomes unavailable, the application will use a locally hosted Mistral Small model as a fallback. If that model is also unavailable, the application will use Claude Haiku as a secondary fallback.
To generate responses, user inputs (prompts) and the relevant conversation context are transmitted to the AI service.
The transmitted prompts and contextual information are not stored permanently and are not used for training or improving the AI models employed.
Hosting
The application is hosted on the Microsoft Azure cloud infrastructure.
The application's backend, frontend, and database are operated in the Azure region West Europe.
The primary AI model is provided through Mistral AI's infrastructure within the European Union.
To process user inputs, the data required for generating responses is transmitted from the application to Mistral AI and processed there.
The fallback model Mistral Small is hosted on a Kubernetes cluster in Microsoft Azure West Europe.
The secondary fallback model Claude Haiku is provided by Anthropic through its global infrastructure, primarily located in the United States.
Recipients of Personal Data
In connection with the operation of the application, personal data may be disclosed to Microsoft as a technical service provider for hosting and AI-related services. Personal data is disclosed only:
- where necessary for technical operation,
- where required by law, or
- where the user has provided explicit consent.
Transfers to Third Countries
Based on the current system configuration, personal data is not transferred to countries outside the European Union (EU) or the European Economic Area (EEA), unless both Mistral models become unavailable simultaneously and the application switches to Anthropic as the second fallback provider.
Should such a transfer occur, it will be carried out only in compliance with the requirements of Articles 44 et seq. GDPR.
Data Retention
Personal data is generally retained only for as long as necessary to fulfil the respective purpose.
Personal data, including server log files, IP addresses, system logs, and error logs, is retained for a period of two weeks and subsequently deleted unless statutory retention requirements or legitimate reasons require longer storage.
Chat histories are not stored by the operator. Storage beyond the browser session occurs only where the user expressly chooses to share or publish an AI-generated result, as described in Section 8.
Access Rights
Access to personal data is granted only to persons who require such access to perform their duties.
Administrative access to technical systems and the personal data processed within them is restricted to the responsible IT administrators.
As chat content is not stored permanently, employees do not have access to past chat histories or their contents.
The services used to operate the application run within a private Virtual Private Network (VNET) and are not directly accessible from the public internet.
Changes to systems and relevant configurations are logged.
Access permissions are limited to what is necessary for the respective task and are reviewed regularly.
A data processing agreement pursuant to Article 28 GDPR has been concluded with the service provider responsible for hosting and maintaining the application.
Data Subject Rights
Under the GDPR, users have the following rights in particular:
- Right of access (Article 15 GDPR)
- Right to rectification (Article 16 GDPR)
- Right to rectification (Article 16 GDPR)
- Right to restriction of processing (Article 18 GDPR)
- Right to data portability (Article 20 GDPR)
- Right to object (Article 21 GDPR)
- Right to withdraw consent at any time with effect for the future
Right to Lodge a Complaint
Users have the right to lodge a complaint with a supervisory authority regarding the processing of their personal data.
The competent supervisory authority is:
Federal Commissioner for Data Protection and Freedom of Information: Die Bundesbeauftragte für den Datenschutz und die Informationsfreiheit (BfDI)
Graurheindorfer Straße 153
53117 Bonn
Germany
Automated Decision-Making
No automated decision-making within the meaning of Article 22 GDPR takes place.
The application generates AI-based content solely for assistance purposes. It does not constitute automated decision-making producing legal effects or similarly significant effects for users.
Datensicherheit
Appropriate technical and organisational measures in accordance with Article 32 GDPR are implemented to protect personal data.
These measures include, in particular, safeguards for the confidentiality, integrity, and availability of processed data, such as:
- the use of European-based AI models,
- the absence of mandatory collection of personal information such as email addresses,
- the non-retention of chat content,
- and the publication of generated results only with the user's consent.
Changes to this Privacy Notice
We reserve the right to amend this Privacy Notice where necessary due to technical developments or changes in legal requirements. The version published on this website at the relevant time shall prevail.
The Jewish Museum Berlin would like to thank the Aventis Foundation supporting the M.O.O.N. AI generator.
Exhibition The Opposite of Now: Artistic Paths to a Different Present: Features & Programs
Exhibition Webpage
- The Opposite of Now: Artistic Paths to a Different Present: 4 Sep 2026 to 10 Jan 2027
- Ephra trail for children and the adults accompanying them: Explore the exhibition through different stories!
Accompanying Events & Tours
- Artist talks, film screenings, the JMB Book Club, panel discussions, and public tours: Find all dates in our calender
- Guided Tours for Groups: Tour by appointment
- Guided Tour for School Groups: Tour by appointment
Publications
Exhibition Catalog: English/German, Sep 2026
Digital Content
Current page: My Opposite of Now: Chat with M.O.O.N. about your opposite of now! The AI app from the exhibition available online
See also
- Fine Arts at the Jewish Museum Berlin
- 25 Years Jewish Museum Berlin: Discover our anniversary program, 2026