Emily D. Bilski
Processes of transformation are at the core of the golem motif. For artists, the golem itself became a powerful metaphor for artistic creation and the struggle for form, for bringing inanimate matter to life. As soon as the work is completed, it escapes the control of the artist, just as a golem escapes its creator.
One of the meanings of the word “golem” in Hebrew denotes something that exists in an embryonic stage. Works of art that are concerned with the process of being can develop from this core. Some artists link the Hebrew words for “person, man, human” (אדם, adam) and “earth” (אדמה, adama), which can be read as a connection to the biblical story of creation. Dramatic images emerge, which are about the transformation of the human being from clay and about its becoming one with the matter. In some works the artist as creator is associated with God the Creator.
Emily D. Bilski is an art historian, the main focus of her work is the interface between art, cultural history, and the modern Jewish experience as well as contemporary art. She works as a curator and counselor for museums in the United States, Europe, and Israel. Her books Berlin Metropolis: Jews and the New Culture: 1890-1918 (1999) and Jewish Women and Their Salons: The Power of Conversation (2005) were both awarded the National Jewish Book Award.
Citation recommendation:
Emily D. Bilski (2016), Transformation. Chapter 3 of the Exhibition Catalogue GOLEM: Introduction.
URL: www.jmberlin.de/en/node/4691
Online Edition of the GOLEM Catalog: Table of Contents
- The Golem in Berlin – introduction by Peter Schäfer
- Chapter 1
- The Golem Lives On – introduction by Martina Lüdicke
- My Light is Your Life – by Anna Dorothea Ludewig
- Avatars – by Louisa Hall
- The Secret of the Cyborgs – by Caspar Battegay
- Chapter 2
- Jewish Mysticism – introduction by Emily D. Bilski
- Golem Magic – by Martina Lüdicke
- Golem, Language, Dada – by Emily D. Bilski
- Chapter 3
- Current page: Transformation – introduction by Emily D. Bilski
- Jana Sterbak’s Golem: Objects as Sensations – by Rita Kersting
- Crisálidas (Chrysalises) – by Jorge Gil
- Rituals – by Christopher Lyon
- A Golem that Ended Well – by Emily D. Bilski
- On the Golem – by David Musgrave
- Louise Fishman’s Paint Golem – by Emily D. Bilski
- Chapter 4
- Legendary Prague – introduction by Martina Lüdicke
- Golem Variations – by Peter Schäfer
- Rabbi Loew’s Well-Deserved Bath – by Harold Gabriel Weisz Carrington
- Chapter 5
- Horror and Magic – introduction by Martina Lüdicke
- Golem and a Little Girl – by Helene Wecker
- The Golem with a Group of Children Dancing – by Karin Harrasser
- Bringing the Film Set To Life – by Anna-Carolin Augustin
- Golem and Mirjam – by Cathy S. Gelbin
- Chapter 6
- Out of Control – introduction by Emily D. Bilski
- Golem—Man Awakened with Glowing Hammer – by Arno Pařík
- Dangerous Symbols – by Charlotta Kotik
- Be Careful What You Wish For – by Marc Estrin
- Chapter 7
- Doppelgänger – introduction by Martina Lüdicke
- From the Golem-Talmud – by Joshua Cohen
- Kitaj’s Art Golem – by Tracy Bartley
- The Golem as Techno-Imagination? – by Cosima Wagner
- See also
- GOLEM – 2016, online edition with selected texts of the exhibition catalog
- GOLEM – 2016, complete printed edition of the exhibition catalog, in German
- Golem. From Mysticism to Minecraft – Online Feature, 2016
- GOLEM – exhibition, 23 Sep 2016 to 29 Jan 2017