Letters—Hebrew letters—everywhere. They fly out of a burning book, out of the Hebrew clock on the Jewish Town Hall in Prague, and out of the ten sefirot, the secret forces of incorporeal God.
According to Jewish tradition, the handbook Sefer Yetzirah, the "Book of Creation," contains God’s blueprint for the creation of his world. The construction plans are made up of the numbers from one to ten (which in Hebrew are also represented by letters) and the twenty-two letters of the Hebrew alphabet. Especially potent are the letters of the tetragrammaton: the four consonants of the divine name, YHWH, which cannot be spoken. God combined these letters in a complex process and used them to create the world. Anyone who knows the letters and their possible permutations, the Book of Creation tells us, can imitate God and create a world—or just a person, a golem.
In his innermost essence, the Jewish God is unfathomable and unknowable. As a very first act of creation, however, he unfolded internally in his ten divine forces or potencies. These potencies communicate dynamically with each other and ultimately, in several steps, initiate the creation of worlds external to God, culminating in the earthly world of human beings. Podwal’s God consists of letters and configures himself as a golem—a God not yet unfolded, who needs the earthly world and humankind for his own completion.
The late Baroque Jewish Town Hall in Prague has two clocks: one on the bell tower, with the usual Roman numerals, and another one on the gable below, with Hebrew letters as numbers on the clock face. The hands of this clock turn from right to left—counterclockwise, but in accordance with the right-to-left flow of Hebrew script. Yet this clock does not merely measure time. The letters break away from it like a swarm of bees to create the golem of Prague, the rescuer of the Jews.
The Book of Creation is on fire, set alight by the Christians’ hatred of the Jews. But it does not—cannot—burn away. The letters, with their power of creation, fly free in the fire and smoke. Will they return to God, their origin? Or will they create new Jewish life in another place and at another time?
Peter Schäfer was appointed as the new director of the Jewish Museum Berlin Foundation on 1 September 2014. From 1998 to 2013 he was Ronald O. Perelman Professor of Jewish Studies and Professor of Religion at Princeton University. Peter Schäfer is one of the most respected international scholars of Jewish Studies, he received the Leibnitz Prize, the Mellon Award, the Ruhr Prize of Arts and Science, the Leopold-Lucas-Prize and the Reuchlin-Prize.
Translated by Kate Sturge
Peter Schäfer (2016), Golem Variations. Article in the Exhibition Catalogue GOLEM.
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Chapter 4 - Legendary Prague: Selected Texts (2)
The Golem in Berlin
by Peter Schäfer
The Golem Lives On
With Texts by Martina Lüdicke, Anna-Dorothea Ludewig, Louisa Hall and Caspar Battegay
With Texts by Emily D. Bilski and Martina Lüdicke
With Texts by Emily D. Bilski, Christopher Lyon, Rita Kersting, Jorge Gil and David Musgrave
With Texts by Martina Lüdicke, Peter Schäfer, and Harold Gabriel Weisz Carrington
Horror and Magic
With Texts by Martina Lüdicke, Karin Harrasser, Cathy S. Gelbin, Helene Wecker and Anna Augustin
Out of Control
With Texts by Emily D. Bilski, Arno Pařík, Marc Estrin and Charlotta Kotik
With Texts by Joshua Cohen, Tracy Bartley, Cosima Wagner
Golem Catalog Online
Selected texts from our catalog
Golem Catalog – Print Version
The full version of our catalog is available in German.
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All About ...
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23 Sep 2016 to 29 Jan 2017