The Jewish Museum Berlin and Daniel Libeskind have a very close relationship. The museum was the first building project by the American architect and urban planner that was actually built, between 1993 and 1999. Conversely, our museum owes its prominence in part to Libeskind’s spectacular design, which has attracted countless visitors from Germany and abroad. Numerous building projects by Daniel Libeskind, such as museums, concert halls, and shopping centers, have since been built throughout the world, including two additional projects for our museum. The courtyard of the baroque Collegienhaus (Old Building) was enclosed in 2007 based on his plans titled “Sukkah” (Hebrew “booth”), and the former wholesale flower market across the street from the museum was rebuilt from 2010 to 2012 as the W. Michael Blumenthal Academy according to Libeskind’s design.
Daniel Libeskind’s Biography
Daniel Libeskind, the son of Shoah survivors, was born in the Polish city of Łódź in 1946. The family emigrated to Israel in 1957 and then moved to the United States in 1960, where Daniel Libeskind became an American citizen. He had started studying music while in Israel, which he continued in the United States before switching to architecture.
Daniel Libeskind had already made a name for himself as an architectural theorist and as the dean of the Architecture Department at the Cranbrook Academy of Art in Bloomfield Hills, Michigan, when in 1989 his design “Between the Lines” won the competition for the “Extension of the Berlin Museum with a Jewish Museum Department.” Consequently, Daniel Libeskind relocated to Berlin with his family for the next thirteen years. In 1999, he was awarded the German Architecture Prize for his design. Libeskind returned to New York in 2003, where he won the competition for the new construction on Ground Zero where the World Trade Center previously stood.
Our Buildings: Daniel Libeskind and the Baroque Era (6)
Daniel Libeskind and the Baroque Era
The architecture of the Jewish Museum Berlin bears the distinctive fingerprints of Daniel Libeskind. The American architect designed the main museum building, but also the W. Michael Blumenthal Academy and the Glass Courtyard. The building compound also includes a baroque palace and a garden from the 1980s that is a protected landmark.
The Libeskind Building
With his “Between the Lines” design, American architect Daniel Libeskind did not want simply to design a museum building, but to recount German-Jewish history.
The Old Building
The former Collegienhaus is the last extant baroque palace in the historic Friedrichstadt neighborhood. The erstwhile Seat of the Royal Court of Justice is now the museum’s entrance with exhibition spaces on the upper level.
The W. Michael Blumenthal Academy
A former wholesale flower market was refurbished based on Libeskind’s In-Between Spaces design. With three cubes, the visual language echoes the architecture of the rest of the museum.
The Glass Courtyard
The Glass Courtyard was designed by Daniel Libeskind, who drew inspiration from a sukkah (Hebrew for thatched hut). With a glass and steel structure, it covers the inner courtyard of the baroque Old Building.
The Diaspora Garden
The Diaspora Garden is located in the W. Michael Blumenthal Academy’s inner courtyard. Four “plateaus” that seem to be floating midair are planted with species related to Jewish life or with their own history of dispersion.
Our Museum Gardens
Behind the Old Building and around the Libeskind Building, two garden areas round out our grounds and allow our visitors to take a reflective break before and after their time in the museum.
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In Celebration of Daniel Libeskind’s 75th birthday
Libeskind's life, his work and his deep connection with music
4 May 2021
The Architecture of Daniel Libeskind
10 Sep 2003 bis 4 Jan 2004
Book presentation by Daniel Libeskind
25 Jan 2005