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The Whole Truth: a Continuing Discussion

There are people who visit the special exhibition The Whole Truth not once or twice but a few dozen times: museum guides, those of us who accompany visitors through the exhibition. This time, though, our job isn’t to introduce the exhibits and their deeper meaning but instead to elicit commentary from this very real and tangible general public – and to moderate any discussion that follows. After all, the questions on which the exhibition is based also came from visitors. The museum reflects them in a great number of objects that the curators sought out.

The exhibits are very various and consistently surprising; they strike a wide range of cadences as well. Most visitors are astounded and speechless at the chutzpah of some curatorial arrangements. But as soon as a group begins to move through the exhibition and to engage with its guide, the speechlessness transforms into eloquence. Contradicting opinions are expressed, as they often are, in front of an exhibit. Here, though, you notice that it’s not about one opinion being more true than another, or about the object and its historical significance, but rather about talking about it. Simply about having a reaction and an opinion.

And so many clichés and prejudices about Judaism also circulate in the exhibition: but not in a way that they’re showcased and debunked. In five boxes you yourself can vote on prejudices, and it would probably be a prejudice to read this only as a malevolent mirror. Rather, the visitors’ very different and sometimes contradicting reactions show that there isn’t a right or wrong attitude towards these clichés. In fact, it’s first and foremost about bringing them into the open. And occasionally laughing at them.

At the end of a tour, even the silent visitors see what a wide range of relevant and yet varied reactions to the exhibition is possible. A formidable installation on an entire wall has emerged from the single notes and post-its that replaced the usual visitors’ book: Berlin’s general public has augmented the exhibition with it’s own contribution. There, you can read not only witty commentaries but you can also see how remarkably freely and imaginatively people have endorsed, caricatured, or expanded on the opinions of others’ with their own thoughts. And for a happy moment the viewer may realize that “the whole truth” is more than an ironic catchphrase: it could actually exist, as a continuous, inviting, and unending discussion that people and things enter into for the time that they’re gathered here together. On that note, come to the exhibition!

Marc Wrasse, Guide

Five pillars with the inscriptions: "business savy?", "fond of animals?", "influential?", "intelligent?", "beautiful?"

Barometer for the question “Are Jews particularly …?” in the exhibition The Whole Truth; Jewish Museum Berlin, photo: Linus Lintner

Citation recommendation:

Marc Wrasse (2013), The Whole Truth: a Continuing Discussion.
URL: www.jmberlin.de/en/node/6425

Behind the Scenes: Entries on the Exhibition “The Whole Truth” (7)

  • Entries on the Exhibition “The Whole Truth”

    What obstacles had to be overcome to open the exhibition The Whole Truth (2013), how it felt as a Jew to sit in a glass case in the exhibition, how visitors reacted, what further things developed out of the exhibition...

  • The curator Michal Friedlander lying on a showcase.

    Trials of a Truth Seeker

    Michal Friedlander on the countdown before the opening of the exhibition The Whole Truth

    Behind the Scenes
    2013

  • The empty chair during the shooting between two spotlights and behind a camera.

    Ask the Rabbi

    Martina Lüdicke about the shooting of the film installation in the exhibition The Whole Truth

    Report
    2013

  • A woman stands at the opening of a showcase and talks to a crowd of visitors.

    In the Showcase

    Olga Mannheimer about her experiences in the exhibition The Whole Truth

    Report
    2013

  • A woman sitting on a bench in a vitreous showcase open at the front.

    From Wagner to the Weather

    Signe Rossbach about her two hours as a living exhibition object in the show The Whole Truth

    Report
    2013

  • Magazine cover with a portrait of Marilyn Monroe and the title "marilyn enters a Jewish family".

    Conversion and Controversy

    Naomi Lubrich on the new interest in this topic and on religious loyalty

    Essay
    2013

  • Five pillars with the inscriptions: "business savy?", "fond of animals?", "influential?", "intelligent?", "beautiful?"

    The Whole Truth: a Continuing Discussion

    Guide Marc Wrasse about group discussions in the exhibition

    Essay
    2013

  • Close-up view of a grey wall with pink notes.

    After the Exhibition is Before the Exhibition

    Martina Lüdicke on the decision to dedicate a separate exhibition to questions of circumcision

    Behind the Scenes
    2014

Firsthand Stories: A Tour of Tour Experiences (5)

  • A Tour of Tour Experiences

    Some of our guides, as well as a few visitors, have written here about experiences they had on various tours at the Jewish Museum Berlin.

  • Tactile model of the street sign “Welcome to Jerusalem”.

    Jerusalem for All the Senses

    A report from the visit of a guided tour for visitors with blindness or limited vision through the exhibition Welcome to Jerusalem by Gerald Pirner

    Report
    2019

  • Room view: video projection of Jerusalem on a wall.

    Intense Encounters in “Jerusalem”

    How school children react to the tour through the exhibition Welcome to Jerusalem. A conversation with Marc Wrasse

    Interview
    2019

  • Two guides and visitors during a tour

    How about more tolerance for ambiguity?

    Mohamed Ibrahim and Shemi Shabat talk about their tandem guided tour Jerusalem in Dialogue

    Interview
    2018

  • Exhibition view, wall with the inscription: Snip it.

    On the Hamster Wheel of Argumentation

    Andy Simanowitz, guide in the exhibition Snip it!, reports on stubborn questions and spirals of argumentation.

    Report
    2015

  • Five pillars with the inscriptions: "business savy?", "fond of animals?", "influential?", "intelligent?", "beautiful?"

    The Whole Truth: a Continuing Discussion

    Guide Marc Wrasse about group discussions in the exhibition

    Essay
    2013

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