For Otto Freundlich, art was closely intertwined with the utopian vision of a new society::
“I fight for the liberation of people and things from the habits of ownership, and against everything that confines them and doesn’t reflect their true nature.”
Otto Freundlich’s works rouse viewers from their torpor. An active gaze is needed to set the “composition” in motion: to make it rise and fall as it emerges from triangular forms and contrasting colors. As our gaze shifts, the light and dark colors—white, yellow, brown, and black—illustrate the forces that are meant to shape the thoughts and actions of free people.
During the Nazi era, Freundlich’s art was branded “degenerate” and removed from German museums. The artist was deported to the Sobibor concentration camp, where he was murdered.
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Core Exhibition: 13 Objects – 13 Stories (13)
13 Objects – 13 Stories
A Torah shield, a sculpture, a cushion: 13 unusual objects tell 13 stories of Jewish life. One of the tours of the JMB app leads right through the exhibition to eye-catchers of all kinds, some small, some big. What would a museum be without its many objects, each rich in meaning? You can get a sneak peek of the objects here on our website.
L’amitié au coeur (Friendship of the Heart)
by Étienne-Maurice Falconet (1716–1791), Paris, 1765, marble
Finds from the Memmelsdorf Genizah
Memmelsdorf (find site), ca. 1725–1830, paper, ink, fabric, leather, porcelain
donated by Isaak Jakob Gans (1723–1798), Hamburg, 1760–1765, silver
Shevirat ha-Kelim (Breaking of the Vessels)
Anselm Kiefer, 1990–2019, lead, iron, glass, copper wire, charcoal, Aquatec
Manheimer Family Portrait
by Julius Moser (1805–1879), Berlin, 1850, oil on canvas
King Solomon and the Queen of Sheba, Käte Baer-Freyer (1885–1988), Berlin, ca. 1924, plywood, metals
“ISRAELI, JEW, and now SEVERELY DISABLED ...,” Daniel Josefsohn (1961–2016), Berlin, 2014/15, textile
Silver Formerly Owned by Jews
Provenance: up to 1939 unknown Jewish owners, 1939 Hamburg Tax Authority
Bruno Heidenheim, Album to bid farewell to Margot (1913–2010) and Ernst (1898–1971) Rosenthal, Chemnitz, 1936
Manufacturer: S. & D. Loewenthal, Frankfurt am Main, 1895/96, silver
No Longer in the Country
Unclaimed membership cards for the Jewish community Frankfurt am Main, 1949
by Otto Freundlich (1878–1943), 1938, tempera on cardboard
of the Lehmann family, Berlin, 1941–1945