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The Jewish Museum Berlin, its library, its archive, the museum shop, and café will remain closed due to coronavirus restrictions.

Shevirat ha-Kelim (Breaking of the Vessels)

Unusual Objects from Our Core Exhibition Tell Stories of Jewish Life

Anselm Kiefer’s artwork Breaking of the Vessels interprets the kabbalistic teaching of Isaak Luria (1534–1572) about the catastrophe that took place during creation:

Sculpture of a library made of lead with inserted glass fragments, above a semicircle with the name of the infinite god

Shevirat ha-Kelim (Breaking of the Vessels) by Anselm Kiefer (born 1945), 1990–2019, lead, iron, glass, copper wire, charcoal, Aquatec; Jewish Museum Berlin, accession L-2019/29/0, owned by the artist, photo: Roman März

In order to make space for creation, the omnipresent God (Hebrew Ain Sof, literally: “without end” or “infinite”) contracted. In the empty space that resulted, God sent a ray of light that was to initiate the actual act of creation. Ten vessels (Hebrew sefirot) symbolizing the harmony of the universe were to catch the ray. However, they were unable to contain the powerful current of light and the seven lower vessels shattered. Their shards united with sparks of divine light and fell into the abyss. The breaking of the vessels is interpreted as a symbol for a world in a state of disharmony, one in which evil has entered.

“In this piece, Kiefer has latched onto something crucial in Judaism, namely the relationship between scripture and tradition.” (Peter Schäfer, scholar of Judaism)

Kabbalah

Kabbalah is an esoteric method, discipline, and school of thought in Jewish mysticism.
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What is the Kabbalah? And how can the world be restored after the breaking of the vessels? Audio track from our JMB app

Read along: the Kabbalah

The Kabbalah is a complex system of Jewish mysticism, esoteric method and discipline that examines the mysteries of creation, the nature of God and the mission of humans in the world.

The Kabbalah originated in the south of France, Spain and Palestine in the middle ages. One of its most important proponents is Isaac Luria, who lived in Egypt and Palestine in the 16th century.

His basic idea is this: God, Ain Sof or the Infinite in Hebrew, fills the entire universe, without limit. In order to give space to creation, he had to withdraw into himself. Into the primordial space he created, he sent light that was to be collected in ten vessels. But the light was so strong that seven of the vessels broke and fell into the abyss. A counter world of evil arose from these vessels. The “breaking of the vessels” is thus a primordial catastrophe in the process of creation: the world has taken a wrong course.

The task of people is the restoration of the world or Tikkun Olam in Hebrew. Through good deeds, intense piety and fulfillment of the commandments, the original state of balance is returned to the world.

The idea of the shared responsibility greatly contributed to the popularity of the Lurian Kabbalah.

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Core Exhibition: 13 Objects – 13 Stories (13)

13 Objects – 13 Stories

A Torah shield, a sculpture, a cushion: 13 unusual objects tell 13 stories of Jewish life. One of the tours of the JMB app leads right through the exhibition to eye-catchers of all kinds, some small, some big. What would a museum be without its many objects, each rich in meaning? You can get a sneak peek of the objects here on our website.

Female statue with traces of rust, missing the head

L’amitié au coeur (Friendship of the Heart)

by Étienne-Maurice Falconet (1716–1791), Paris, 1765, marble

Various crumpled documents with Hebrew letters, a shoe and a bag

Finds from the Memmels­dorf Genizah

Memmelsdorf (find site), ca. 1725–1830, paper, ink, fabric, leather, porcelain

Silver Torah shield with gilded columns and lions holding law tablets

Torah Shield

donated by Isaak Jakob Gans (1723–1798), Hamburg, 1760–1765, silver

Sculpture of a library made of lead with inserted glass fragments

Shevirat ha-Kelim (Breaking of the Vessels)

Anselm Kiefer, 1990–2019, lead, iron, glass, copper wire, charcoal, Aquatec

Oil painting with a family scene

Manheimer Family Portrait

by Julius Moser (1805–1879), Berlin, 1850, oil on canvas

Puppet with a crown and moving parts, which are connected with rivets

Puppet Show

King Solomon and the Queen of Sheba, Käte Baer-Freyer (1885–1988), Berlin, ca. 1924, plywood, metals

White pillow with blue script

Decorated Cushion

“ISRAELI, JEW, and now SEVERELY DISABLED ...,” Daniel Josefsohn (1961–2016), Berlin, 2014/15, textile

Glass showcase full of tableware, cutlery and other silver objects

Silver Formerly Owned by Jews

Provenance: up to 1939 unknown Jewish owners, 1939 Hamburg Tax Authority

Opened album with pictures of the Chicago skyline, a skyscraper, a painting, and handwritten text

Going-away Present

Bruno Heidenheim, Album to bid farewell to Margot (1913–2010) and Ernst (1898–1971) Rosenthal, Chemnitz, 1936

Silver washbasin with flowers and ornaments, in the middle a Hebrew inscription

Hand Washbasin

Manufacturer: S. & D. Loewenthal, Frankfurt am Main, 1895/96, silver

Membership card with a heart-formed photo

No Longer in the Country

Unclaimed membership cards for the Jewish community Frankfurt am Main, 1949

Abstract painting in blue, black and yellow tones

Composition

by Otto Freundlich (1878–1943), 1938, tempera on cardboard

Yellow star with the word Jude (Jew) on it

Yellow Star

of the Lehmann family, Berlin, 1941–1945