I was asked recently if I could write something about how I celebrate Hanukkah in my own circle of family and friends. It occurred to me that the last time I spent Hanukkah with friends or with my parents was quite awhile back. I rummaged around through old photos until I found a picture of me with my father in 1988, lighting our Hanukkah candelabrum: we had just applied for political asylum in West Berlin and were allowed to stay with friends, so we didn’t have to remain longer in refugee quarters. For me back then, Hanukkah was a personal, family thing.
Today it’s still a family thing, but the family looks a little different. My family consists of about 25 mouth-moving hand puppets that I call “the bubales.” I’ve been touring through Germany and Austria with the bubales – Jewish puppet theater – on my Hanukkah vacation days since 2010, letting ten of the puppets tell the story of the Jewish Festival of Lights.
Our audiences are a colorful mix: the bubales don’t just perform for Jewish congregations. They’ve been invited to churches, mosques, and other cultural centers, where they share their infectious love of Hanukkah.
The story is also multi-cultural. The hero Shlomo lives in the Berlin neighborhood of Kreuzberg and gets a magic lamp from Istanbul as a Hanukkah present from his classmate Aische. No sooner does he have it but three droll Hanukkah spirits spring from the lamp to tell the story of the temple in ancient Jerusalem. At the end, the lamp reveals a secret that puts everything in a new light. Grown-ups enjoy the comedy as well as children. The show also has a musical accompaniment provided by a rocking choir of candles, latke-frying Papa Lotterstein, a hyperactive dreidel, and a humorless sheep called Mendel.
The bubales make an appearance in a different city nearly every day. They’re practically the Deutsche Bahn’s Hanukkah Express. I’ve spent many a night of Hanukkah nestled against the window of yet another train’s sleeping car, looking forward every year to my own private cabin.
Well, I’m not really on my own, but the puppets stay pretty quiet in their crate. I always bring my favorite Indian dish, palak panir, with me onto the train, lay out the ceremonial meal on my suitcase, light my travel Hanukkah candelabrum, and enjoy – as you can see from the picture – this festive moment of solitary travel. The solitariness doesn’t last for long, however. At each station I’m awaited by the shining eyes of a new group of children and parents. And when I hear the ringing laughter of the audience beyond my puppet stage, I know that for me there simply couldn’t be a better Hanukkah.
Shlomit Tripp studied art pedagogy and as an employee of the Jewish Museum Berlin she generates children, family, and holiday programming for our education department. In her free time, she pursues her passion for puppetry with the bubales.
Shlomit Tripp (2015), In the Sleeping Car . with Ten Hand-puppets and a Travel Hanukkah Candelabrum.
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Holidays: Old Rituals, New Customs (19)
Old Rituals, New Customs
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A Small Window onto History
Aubrey Pomerance, Head of Archives, on a newly acquired Passover Haggadah and its previous owners in Kreuzberg
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Cilly Kugelmann on old and new customs for Passover
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Mirjam Wenzel and Avner Ofrath about what we can learn from loving women
New Customs for the New Year
Shlomit Tripp about tashlikh boats and petals on the water
Kol Nidre and the “Civil Improvement of the Jews”
Haim Mahlev on controversies throughout the ages
Apples in Honey and Gefilte Fish
Museum employees share their personal experiences of the High Holidays
Avner Ofrath on Yom Kippur in Israel
Naomi Lubrich on candy as a tricky matter for synagogues on Simhat Torah
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Michal Friedlander on Mickey, Minnie and their Hanukkah message
In the Sleeping Car with Ten Hand-puppets and a Travel Hanukkah Candelabrum
Shlomit Tripp on her Hanukkah with the bubales family
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Tu bi-Shevat Traditions in Israel
Avner Ofrath on trees, fruit, and a breath of New Age
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